Black Mirror – Season 5: Striking Vipers

Season 5 of Charlie Brooker’s Black Mirror has been getting mixed reviews. I agree that the three episodes in the new set aren’t as strong as some of their previous counterparts but it’s still innovative and interesting television, and shouldn’t be written off completely.

They’ve actually inspired me to go back to the beginning and review a few of the best episodes over the years so I’ll start examining those soon. For now though, to Season 5, Episode 1 – Striking Vipers.

Two estranged college friends reunite in later life, triggering a series of events that could alter their lives forever

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*Minor spoilers*

Karl and Danny are old buddies from college. They’re also gamers who enjoy playing the fighting game Striking Vipers in their down time. The pair always play as Lance and Roxette. Danny (Mackie) lives with his girlfriend Theo (Beharies) – and one night the pair pretends to be strangers in a bar to spice up their lives. After they’ve done the business back home, Danny gets up and goes to play Vipers with Karl, who is crashing on their sofa.

Fast forward 11 years and the landscape looks very different. Danny and Theo are still together, married with a five-year-old. At a birthday barbecue for Danny, hosted at their house, Karl arrives after a long period of the friends having lost touch. He brings a present: Striking Vipers and a virtual reality kit which is needed to experience the game as it is now intended.

Ooooh!

That night the pals have a game wearing the kit, which transports them into the Striking Vipers world while their earthly bodies lay motionless in their respective homes. Danny’s surprised and exhilarated to find that not only is he fully immersed in his character’s environment, he can also experience pain from the fighting blows.

When they’re done fighting, Roxy (Karl) and Lance (Danny) share a passionate kiss – Danny and Karl then promptly leave the game, shocked and appalled at what they’ve done. But one thing leads to another and the characters start having a sexual relationship within the confines of the game. All the while the men can’t get enough of their virtual affair. At one point Danny remarks that he guesses they’re gay now and Karl responds that he thinks what they have goes much deeper.

“That’s us gay now.”

Danny starts to grow distant from his family, and when Theo calls him up on his strange behavior, he tells Karl they have to stop the affair. This is not before his wife tells him that she gets plenty of offers thanks very much and likes the attention she gets from sexy strangers – so he’d better shape up. (To paraphrase).

Well for a while the boys don’t see each other but things change when Theo throws a surprise dinner for Danny and invites Karl. The pair are frosty at first but then Karl admits that he’s tried everything to recreate the affair Lance has been having with Roxy. To no avail. I don’t want to spoil the conclusion but it stands to reason that the friends decide to meet and work out whether there is a true attraction between them in the flesh.

I’ll let you find out which way it goes. Striking Vipers was an interesting premise to start with – delivering quite the emotional dilemma. It examines masculinity, friendship, sexuality, monogamy – and it does so with the same bittersweet sheen of my favourite episode of all time, San Junipero.

One of the biggest issues with Black Mirror is that I find myself double guessing everything and expected this to take a much darker turn. I’m glad it didn’t in the end and I enjoyed the way it turns outs.

It was also cool to see Mackie in a different role to Falcon, who I’m just not that crazy about.

Episode details:

Striking Vipers
Year: 2019
Director: Owen Harris
IMDB Rating: 6.9/10
My Rating: 3/5

What are you watching?

I’m Not Crying…

I love to cry. I find it the most cathartic exercise. I don’t think a day goes that I don’t have a little blub – for any number of reasons. Nostalgia, joy, a stubbed toe – all that and more can threaten my mascara on the daily and I’ve become notorious for wearing my emotion on my sleeve.

Over the last few months it feels like I’ve done nothing but cry while being entertained. It started with Avengers: Endgame, which I saw three times and cried through three times and then, most recently, I’ve been haunted by a BBC drama.

Here are the last things to really tug at my heart strings.

*Minor spoilers if you aren’t up to date*

Avengers: Endgame

Historically, I don’t really like going into films that are clearly out to hit me straight in the feels. Obviously Endgame was always going to be a mixed bag of action, adventure, triumph and human sacrifice – and boy did it manipulate the tear ducts. But even though there were surprises, so much of it wasn’t that surprising – and it was glorious.

On first viewing I sobbed as soon as the film started as I thought about The Fallen, in particular Spiderman. “I don’t feel so good, Mr Stark” has followed me ever since Infinity War, a brutal reminder of the futility of life – and how shit Star Lord is because I blame him for everything (and Chris Pratt even more so).

Watching the remaining Avengers deal with the fallout from Thanos’ original finger click was heart-breaking, reminding us that it’s always the ones left behind who suffer the most. There was a plan though, obviously and I don’t think there was ever any doubt that we’d meet our favourites again – and Natasha, Steve, Tony and pals made sure of it.

I’m not going to dwell on the irreversible sacrifices made – if you know, you know – but my God, they were hard to come to terms with.

Game of Thrones – The End

I found Season 8 bittersweet. There were elements I really enjoyed of the final series but ultimately, the conclusion was messy and a lot of the foreshadowing we’d invested ourselves in for the best part of a decade came to nothing.

Regardless, I still got a lump in my throat when we lost key characters (looking at you, Giant Slayer) and the survivors, key characters we joined at the beginning and said goodbye to at the end. I cried for their collective loss and all the time they’ve been apart. I cried for Hodor, who didn’t even get a thank you for holding the door. I cried for Sansa, who outlived all her abusers.

I cried for all the dire wolves we’ve loved and lost. Ditto the dragons. Most of all I cried for the end of one of the best shows I’ve ever seen, notwithstanding Seasons 7 & 8 .

Years & Years

So I still have the last episode of this amazing show to go but the fourth was the real kicker. I don’t think I’ve ever ugly cried as much as I did watching that. Afterwards, I seriously contemplated calling in sick to work and I still can’t get it out of my head.

The show looks at so many relevant issues and one of those is refugees seeking asylum. It says a lot that we see real life images of the trauma caused to children and families on the news all the time, but it takes a well-loved fictional character in the same position to really drive the reality home.

This show is the nuts and I’ve been recommending it to everybody.

Pass the tissues, would you?

Two Brilliant TV Shows

I’ve been so good at regularly posting here so I thought I’d keep up momentum and talk about a couple of things I’ve been watching lately. One sexy thriller with two feisty leads, one horribly unsettling interpretation of what could happen to the country if we’re not careful – and both currently available on the BBC iPlayer.

*Minor spoilers*

Killing Eve (2018-2019)

After a series of events, the lives of a security operative and an assassin become inextricably linked.

KE is everywhere at the moment because Season 2 has just been released – and I’ve just rinsed all of it in about three days. It’s just highly watchable – and its leads are life itself.

In fact, both women have always been high on the list. Sandra Oh has been a dream always – while Jodie Comer has been impressive in both My Mad Fat Diary and Doctor Foster. As Villanelle the Assassin, she’s just so much FUN. I don’t want to give anything away but I just enjoyed myself so much.

As Villanelle and Eve’s lives become more and more entwined, the attraction between them grows. The easily bored V likes attention, high-drama and even higher-end fashion, while Eve has an unhealthy obsession with female assassins. While hot on the heels of Villanelle, who has done a lot to gain Eve’s full attention – and killed a lot of people – our operative risks everything; her marriage, her sanity – her job – just to see this through to the end.

It all comes to a head in Season 1 – and then kicks off again right away in Season 2. Is Eve all that different from Villanelle really? And what is this toxic infatuation that keeps them not quite together? The fact they’re now sort of working together doesn’t help abate the obsession TBH. Supporting characters Carolyn, Kenny and sexy Konstantin are all great too.

While Season 1 was written by Phoebe Waller-Bridge, the second is not – and I think if you really examine it, you can tell the difference. It’s still excellent television though and V still has the gumption to shock us (and Eve) when she feels like it. I have no idea where we go from here but the BBC has just announced a third series – so BRING. IT. THE. FUCK. ON!

Years and Years (2019)

The show follows a busy family from Manchester with their lives converging on one crucial night in 2019.

Russell Tovey, Emma Thompson and Jessica Hynes lead this compelling BBC drama which follows the lives of a family as they navigate the world following a dramatic – and truly terrifying night in 2019.

While I’m only three episodes in, I am fully invested in the Lyons’ and their everyday existence. Edith (Hynes) is a political activist living with the fallout of that aforementioned night while Daniel is fighting for asylum for his boyfriend Viktor, a Ukrainian refugee. Meanwhile, Celeste and husband Steven are being forced to downsize to save money. Their daughter Bethany has just come out as trans-human and is searching for a way to download her consciousness to ‘the cloud’, and ditch her body. Things are about to get a whole lot more challenging for Stephen and co too, as the banks start to topple like dominos and they lose almost everything.

In contrast, controversial politician Vivienne Rook (Thompson) is doing pretty well. Vowing to actually DO SOMETHING about the country, she’s attracting followers in their droves – including, surprisingly, sisters Rosie and Edith Lyons.

And that’s just about where I had to pause it this morning. All I know from here is that my friend Helen messaged me about episode 4 saying she hasn’t been able to get over it- and I’ll be on that one soon. I’ll be smashing the rest of it over the end of this week – and trying not to freak out as it shows us things that surely can’t be that fair outside the realms of horrifying possibility.

EEK.

What are you watching?

Fleabag

*Minor spoilers*

Woooooo, Fleabag is back for a second series and I’m absolutely delighted! Written and starring the amazing Phoebe Waller-Bridge – the complex titular character Fleabag returns with new issues including a mammoth crush on a priest (Andrew Scott). Which is super hot, I won’t lie.

Fleabag is brilliant because it’s touching, relate-able (remember when I had my own crush on a priest? LOL) and devastating. Examining grief, guilt – the feeling of being completely inadequate – lust – it covers all angles. Even the constant breaking of the fourth wall doesn’t put me off (but only just because in series two it gets really SMUG).

Fleabag’s sister Claire (Sian Clifford) is struggling with her own feelings of resentment towards Flea, following the events of series one (I won’t spoiler, you just need to watch it).

Hot Priests R Us

Claire’s also commuting to and from Finland and dealing with pregnancy/relationship issues of her own. The best bits in many ways are the scenes between the sisters because they’re so bitchy and delicious. And there’s a hair emergency which had me screaming.

Flea also laments the current status of her friendship with Boo (Jenny Rainsford) which is very sad – and there’s a scene in which Flea ‘confesses’ to The Priest about how scared she feels all the time which realllly resonates with me. Olivia Colman is Godmother and soon-to-be Stepmother to the girls and she’s such a glorious bitch that all her scenes are the absolute best.

We’ve all been there…

My Sunday plans are to absolutely rinse the six-part series with copious amounts of tea and no regrets.

What are you watching?

Maniac

Maniac (2018)

Jonah Hill, Emma Stone, a depressed computer, a series of mind-bending simulations and a seemingly predestined shared destiny – what’s not to love?

Honestly, not much. While everyone seemed to be tooting on about this when it first dropped on Netflix, I had a hard time getting past the first few episodes. But I wanted to give it a fair go, given its cast and I’m so glad I did.

I found it to be thoughtful, beautiful, funny and heartbreaking all at once. Like, honestly so profound in places that I thought my own heart might burst out of my chest and jump across the floor.

I don’t know how well I can describe it but Maniac focuses on Owen (Hill) and Annie (Stone), two quite damaged individuals who find themselves part of a new and potentially life-changing drug trial, run by Dr. Muramoto (Rome Kanda) and his colleague, Dr. Azumi Fujito (Sonoya Mizuno).

Both our protagonists have their own battle ahead. Owen Milgrim lives with severe mental health issues. He is also due to testify on behalf of his brother (Jesse Magnussen) in court, after he commits a felony. Increasingly, Owen disconnects from the world and from his family, struggling with suicidal notions.

Annie Landsberg grieves the death of her younger sister in a car accident and is driven to take extreme action to face what’s become of her life since. And so the two find themselves loosely acquainted, both test subjects in Muramoto’s lab. The tests are surreal and immersive, not to be discussed with the other patients but to be dissected at length after the fact.

When Muramoto drops dead suddenly, seemingly an addict of his own experimental drug (and the very pill the subjects have been taking prior to their simulations), Azumi calls in Dr. James Mantleray (Justin Theroux) to take his place. James it seems was one of the founders of the experiment, which is set to address and then fix all the misery of the world.

You didn’t think it would be that simple though, did you? Well of course it isn’t, as the project is plagued with issues. In fact, the only thing that seems sure in this whole trippy scenario (and all the wonderfully vivid simulations) is that Owen and Annie will find themselves together, their lives somehow entwined. Which isn’t supposed to happen.

The rest is up to you but it’s a Technicolor study of loss and life and love and mental anguish. Of accepting your limitations, of taking a leap of faith – of not being ‘normal’ and doing it all anyway. I adored it and by the last episode I actually felt deflated. Maniac has lit up this dreary week and engaged me fully. I want it back.

Have you seen Maniac? What did you think?

An Evening with Aubrey Plaza 💜

This week we hosted movie night at our place and the title of choice was the long-awaited (by us), An Evening with Beverly Luff Linn. We had James and Gary over because the three of us went to a Q&A session with the film’s director Jim Hosking back when he released his first feature, The Greasy Strangler so it’s fast becoming a tradition of ours.

The film itself was wonderful and weird but my main takeaway is how bloody fit Aubrey Plaza is. So this is my tribute post to the woman herself (and of course the sublime style of her BLL character, Lulu Danger). 

My favourite AP moments to date:

Child’s Play (2019)

The CP franchise is one of my all-time favourite things and the original Chucky is my homeboy – so I’m in two minds about next year’s reboot. HOWEVER, it does feature Miss Plaza and also Brian Tyree Henry so I am going to remain open-minded. 

I haven’t seen too much by way of teaser images from the movie yet but what I have seen snatched from behind-the-scenes looks positive. AP plays a young mother who gives her son a cute doll for is birthday and absolutely nothing whatsoever goes wrong. Ever.

Ingrid Goes West (2017)

IGW is one of the bleakest movies I’ve seen in recent times wrapped in the perfect Instagram filter. AP is the titular Ingrid, a troubled woman with a tendency to stalk her prey relentlessly. When she stumbles across Insta famous Taylor Sloane (Elizabeth Olsen), she is no exception. Ingrid moves to Cali to befriend her and will stop at nothing to get the girl. With consequences. 

Well, this might so far be Plaza’s best role as she unravels before our very eyes, a grieving messed up protagonist who makes you assess your own social behaviours and never really learns her lesson. I actually feel like watching this again today (and I probably will) but it is very far from a feel-good movie and not the Christmas classic I had envisioned for my afternoon of present wrapping. 

*Shrug*

Legion (2017-2019)

Don’t expect me to explain any of this show to anyone at any point because I don’t think I really understood it but Lenny Busker (Plaza) is my stand-out.

BFF of lead character David Haller (Dan Stevens), A LOT of shit goes down for her and I haven’t seen Season 2 yet so there’s a heap I still don’t know. All I know is that when AP is onscreen, I don’t really care about anyone else – and that’s a super power in itself. 

An Evening With Beverly Luff Linn (2018)

Lulu Danger is dead pan AF but underneath her stony exterior lies a woman on a mission. A mission to get back to her former lover, the mysterious Beverly Luff Linn (Craig Robinson). Teaming up with love-sick Colin (Jemaine Clement), Lulu runs away from her horrible husband Shane (Emile Hirsch) to track down and confront BLL, a man presumed dead years before. 

Lulu isn’t particularly pleasant to anybody but she rocks the dopest outfits and has a heart underneath it all. Will she end up with her former beau Beverly, return to her douche bag husband or start a new life with a new prospect? All that matters is Plaza tbh but the film is hilarious, treading a very fine line between oddball and hysterical. 

Cue the slideshow, bitches.

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What are your favourite Plaza moments?

Autumn TV Recommendation: Chilling Adventures of Sabrina

I’m four episodes into this show and I’m feeling a lot of things. It’s not perfect by any means. Like Riverdale, it’s taken a story we know and love, and given it a dark modern twist. I guess it’s aimed at a YA audience and that might be why I don’t love it as much as I want to. Yet, anyway.

That said I’ve only dipped my foot in so far and there are a lot of things I do like, so I’m going to keep on going. The upside is that it’s come out at just the right time of year – and it’s a show my husband will actually willingly watch with me.

Chilling Adventures of Sabrina (2018)

IMDB Synopsis

As her 16th birthday nears, Sabrina must choose between the witch world of her family and the human world of her friends. Based on the Archie comic.

Sabrina Spellman (Kiernan Shipka) isn’t like most girls. She’s half-witch, half-mortal for a start and as her 16th birthday approaches, she must make a decision that none of us have ever had to make: sign herself over the the Dark Lord himself in exchange for unimaginable power or… not.

Meanwhile, there’s the issue of her boyfriend Harvey, and friends Susie and Rosalind (Lachlan Watson and Jaz Sinclair) to consider. How’s she supposed to leave them all behind to start a new life at witch school? Especially when Susie’s being horribly bullied.

Can she conceivably live a normal mortal life or will her magical side win out? These are the things Sabrina is working through with a little help from her aunts and her cousin Ambrose (Chance Perdomo). I think he’s her cousin.

I adore Zelda and Hilda. Ambrose too is delicious and a welcome addition to the Spellman household. Salem, Sabrina’s familiar so far is mute which I find disappointing but I guess it’s to be expected in this contemporary retelling. Still, it’s disappointing as he always used to get the best lines in Sabrina, the Teenage Witch.

Sabrina-Characters-featured

I’m also quite enamored with Mary Wardell (Michelle Gomez), Sabrina’s teacher who is currently possessed by a demon who feasts on male flesh (yay). Although there is sure to be more drama afoot, at the moment she is an ally of the girls’ at school, advocating their women’s group and now, their banned books club.

And finally, the Weird Sisters, the mean girls who rule witch school. They’re so gloriously bitchy and wonderful. I expect big things from them. So yes, there is a lot to love so far and with so many TV shows, it’s more about the supporting characters than the main ones. I’m not quite sold on Sabrina the protagonist yet but there is time.

I’d like more magic, more bitchiness and less romancing Harvey. I want less school unless it’s about the feminist women’s club and I want more Madam Satan.

This show is proving to be very inter-sectional and feminist, I can only hope that continues. There have been some great lines while the whole concept of Sabrina not handing over her freedom to the devil, even if he can give her all the power and magic in the world is an interesting one. It’s bold to say no to the big man himself, and Sabrina is ruffling feathers left and right.

As she says herself, she wants freedom AND power. And there’s nothing at all wrong with that. I, for the record, would grab power and sign over my name in a heartbeat.

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What are you watching?

Autumn TV Recommendation: The Haunting of Hill House

It’s no secret that this girl (me) loves TV. Sue me. I particularly love good television to enjoy during the darker evenings and luckily for me, Netflix has delivered another interesting prospect in the shape of this Gothic beauty.

The Haunting of Hill House (2018)

IMDB Synopsis

Flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it. Based on the novel The Haunting of Hill House by Shirley Jackson.

I love this show so much. It’s genuinely one of the best shows I’ve seen in a long time. It doesn’t hurt that I’ve been frantically messaging my friend Matt throughout to compare notes – I think that’s made me love it even more.

While it focuses on the Crain family and their experiences at Hill House, it flits between past and present day, giving us an insight into the effect everything has had on its troubled members. Dad Hugh has a deeply damaged relationship with his children Nell, Shirley, Luke, Theodora and Steve. Their sense of distrust and anger toward him stems from the dramatic night they all fled the house in the middle of the night. The same night they lost their beloved mother Olivia.

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Each has their own demon and as we find out, is haunted by different things. Nell (Victoria Pedretti) has grown up haunted by the continuous appearance of the bent neck lady. Her twin brother Luke (Oliver Jackson-Cohen) sees a tall man in a bowler hat and has a history of substance abuse brought on no doubt by his experiences.

Theodora, Shirley and Steve each have their own cross to bear too. Eldest brother Steve (Michiel Huisman) has cashed in on their childhood by writing a book about Hill House and enjoyed medium success as a writer. This has set him apart from his siblings, particularly Shirley who refuses to take his ‘blood money’ and resents him exploiting the others’ experiences.

As the show progresses we get all the answers we need about what precisely happened at Hill House and to Olivia Crain (Carla Gugino), who we visit in flashbacks and also see from time to time in present day.

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I’m not going to spend any more time on the narrative because I want everyone to watch this and love it as much as I do. It’s tinged with so much sadness and grief but it’s beautifully paced, genuinely frightening in places and perhaps most importantly, gives us well-rounded, flawed characters to fall in love with.

While the whole concept of the haunted house is not a new one, the way this series looks at PTSD, addiction and fractious familial relationships makes it feel really rich and satisfying. As the last episode wrapped up, I cried like a baby. It’s so beautiful with an amazing cast.

Get on it ASAP.

What are you watching?

Autumn TV Recommendation: Haunted

Haunted (2018)

*Mild spoilers*

Netflix has just released this little anthology just in time for Halloween and I’m quite stoked about it.

I spent the majority of Sunday bingeing it in my pajamas and although I will concede that it won’t change your life, it does explore some interesting stories. What makes it especially chilling is the fact that these tales aren’t tales at all but real supernatural experiences told by real people.

We meet a man terrorised by The Woman in White, a women living with a demon called Clarence and another lady who is routinely taken by extra terrestrials in her sleep.

There’s the surviving daughter of a prolific serial killer and a man who’s life was made infinitely better by a trio of ghost children – and a few more.

What strikes me most about these stories is the sadness and isolation that accompanies many of these events. More than a couple of these now adults have spend a great deal of their lives living with a secret and that’s terrifying. Some tried to reach out to their parents who didn’t believe them or worse, punished them for speaking out.

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These lives have been peppered with suffering and pain and it’s hard to watch these ordinary folk tell their stories to a select group of friends and family. The whole set up is a little like an intervention but it’s a safe place with no judgement, thankfully.

The most petrifying thing? Most of these experiences are ongoing. More than one of the ‘afflicted’ has become resigned to the fact that that’s that, they’re still living the experience. I can’t accept that somehow even though I believe in it wholeheartedly.

Imagine living with a real life demon/ghost for the rest of your days, with no control or choice in the matter?

Nope. Nope. Nope.

What are you watching?

Autumn TV Recommendation: The Curious Creations of Christine McConnell

UGH. I’m completely obsessed with this woman – and now, this show. I woke up early (ish) this morning and have mainlined a handful of episodes in one sitting, while supping tea and being thankful for no work for another day.

This is my favourite month hands down and it’s because of little gems like this.

The Curious Creations of Christine McConnell (2018)

IMDB Synopsis

Inside the cooking lab of Christine McConnell, who has attracted hundreds of thousands of social media followers with her creepy edible creations.

Christine McConnell is a very clever woman (model, actress, baker and photographer), making unbelievably detailed baked goods and dishes with a heavy Gothic edge. Spiders, monsters, Ouija boards and eyeballs all feature heavily but really there is no limit to her imagination or skill.

While I suppose this is technically a baking show, it doesn’t stop there. Produced by The Jim Henson Company, Christine is joined by a band of weird and wonderful creatures who terrorise the neighbourhood with their beastly goings on – so it’s part Sabrina the Teenage Witch (particularly Rankle the Sphynx cat who’s been to Salem Acting School), part sitcom, part cookery show.

And it’s all brilliant.

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NBD, just an exact replica of her own house made out of biscuit…

Dita Von Teese even joins Christine as Vivian the enchanted mirror – and it’s so camp I just love every minute. So far (in the handful of episodes I’ve wolfed down as I type this), Christine has built a biscuit replica of her own creepy mansion, made chocolate chip eyeball cookies, peanut butter and white chocolate bones, constructed an entire tea set out of dark chocolate – and even made a chicken-shaped chicken pot pie.

All this while looking like a Queen and she still has time to romance Norman, the man she met at her grandmother’s graveside (is there more to Norman that meets the eye, I wonder? Of course there is!). While Christine’s creations are definitely inspiring, the show seems to be aware that not very many people would have the time or inclination to whip up their own so it doesn’t spend too much time going in on the recipes – it’s directive but doesn’t pretend that the whole process is easy or quick.

At one point Christine puts the biscuit mansion in the ‘chiller’ and I had to lament my lack of fridge space at home. A couple of jars of pickled onions and ours is packed. No room for a giant cake/and or an octopus called Millie, sadly.

CCCM_1

Dog days are over

I would say, even if you’re not into cookery shows (and I’m not really), there might be something here for you. Christine also makes candles and decorative pieces for the home and in one episode, even gives us a brief sewing lesson.

She rocks a lovely vintage look and is one of those women I absolutely admire, the ones who never seem to succumb to a jogging bottom or bedhead (there’s one of them in my office). It’s a total and utter dedication to her brand that I could never achieve but wish I could. She’s very cool and even though it’s all so tongue in cheek, the Tim Burton-lover in me adores the dark tones.

At one point, Christine’s live-in companions Rose (raccoon), Rankle (cat) and Edgar (beast) kidnap and plot to murder their busy body neighbour, until Christine opts to kill him with kindness (and cocoa) instead.

curious-creations-of-christine-mcconnell

I just want to watch this for the rest of the day (and my life) and eat candy-hued goods while I do it. Cancel all my meetings. Check it out for yourself on UK Netflix now.

You can follow Christine on Instagram here.

What are you watching?