Tag Archives: Thriller

Greta

Everyone Needs a Friend.

Greta (2018)

A young woman befriends a lonely widow who’s harboring a dark and deadly agenda toward her.

Starring: Isabelle Huppert • Chloë Grace Moretz • Maika Monroe 

*Minor spoilers*

Bags of fun

Huh. Knowing this is directed by The Crying Game’s Neil Jordan, you would naturally go in expecting a high quality thriller. What you actually get is an enjoyable, yet ultimately empty and forgettable movie with questionable central performances. Which I’m gutted to type, honestly because ever since I saw the trailer, I’ve been eagerly awaiting its release date.

The premise alone is so intriguing. When nice girl Frances McCullen (Chloe Moretz) finds a handbag on the subway, there’s no question of what she will do. She returns it to its rightful owner, Greta Hideg (Isabelle Huppert). Greta invites her in for coffee and learning that she is widowed and missing her daughter, who lives in Paris, Frances takes pity on the woman – and a friendship is born.

Grieving for her own mother, who has passed away the previous year, Frances finds a natural connection with Greta. Frances’ BFF Erica (It Follows’ Maika Monroe) warns her that the whole scene is a little bit icky – and moreover, that Frances’ wholesome goodness will result in her being eaten alive by NYC. Frances doesn’t see it like that… until she discovers some new (and sinister) information about her new friend.

What on earth is Greta’s game and what does she want from Frances?

Chink chink motherfucker

Needless to say this is an intense stalker story that culminates in a nasty situation. But why? This is my issue with the story. We learn via a secondary source (played by Zawe Ashton), that things aren’t as they seem, particularly regarding the relationship between Greta and her daughter. There’s a vague hint at what G might be hiding but there’s no exploration of why she is what she is. And the climax is cool and all but it’s also shaky and predictable.

I was expecting so much more. I thought I’d be blown away by a motive I’d never even considered, with twists and turns I couldn’t imagine. Instead I got several shoddy false starts and a lot of head scratching time. That said, I still enjoyed myself – and while she’s not given that much to do, I liked Erica (when will MM get the consistently great roles she deserves?).

“I loved you in It Follows.”

About those central performances. I mean, c’mon! Huppert is a dream of an actress with a sting in her tail. Her turn in 2016’s Elle was wonderful – I expected more of the same, if not even more unhinged and delicious. Yet her Greta never really gets going in the way I hoped. It’s not a bad performance, it just doesn’t ever gain the momentum you’d expect. She is chic AF though, which is a given.

In turn, lovely Miss Moretz seems to phone her part in. I do find her acting hit or miss at times (even though I like her) but it’s as if she turned up to filming without really reading the script first. However, I can’t really blame the actresses for this, the film just doesn’t pack a punch and they can only do so much.

⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What are you watching?

True Story

Yes or No_ (30)

More based on a true story action in the form of this murder mystery starring a man I want to cuddle and a man I want to slap the shit out of.

Let’s see if you can tell which is which from my words.

“I just called…”

True Story (2015)

When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo – who has taken on Finkel’s identity – his investigation morphs into a game of cat-and-mouse.

Starring: James Franco • Jonah Hill • Felicity Jones

Michael Finkel (my boo Jonah Hill) is a promising NY Times journalist with ten cover stories to his name. He’s riding high and expecting a Politzer nom when he’s called into his boss’ office to discuss his last story – an expose on modern slavery.

Unfortunately, rather than picking up a prize, he’s soon clearing his desk when it becomes obvious he may have embellished quite a lot of the story. Claiming he must have got mixed up, his bosses believe he’s used a composite character as the focus of the article. Breaking the rules of Journalism 101, you naughty boy.

Returned from NYC back to his wife (Felicity Jones) and home in Montana, Finkel is finding it predictably difficult to find work, given the accusations leveled at him. But things pick up when he receives a call from the editor of The Oregonian, asking for a quote on the Christian Longo story. Longo (eternal douche pony James Franco) stands accused of murdering his wife and three children – and is in clink awaiting trial.

Franco was not a fan of Christa Bass’ NY Times article, “Ten Things I Hate About James Franco”.

Well, Finkel apparently doesn’t keep up with news these days as he has no idea about the case. When he asks the caller why he should have a view on the story, he is told that when arrested, Longo was pretending to be Michael Finkel. Of the New York Times.

Oooooh!

What follows is a bizarre friendship blossoming between the two men, who figure they have more in common that they could ever have imagined. And Finkel’s career looks set to take an upturn when he decides to make Longo’s story into a book – one that the pair will write together.

The main question throughout True Story is – did Longo do it though?

Well, I won’t reveal the ending but I will say that the relationship between the men is complex and it puts a strain on Finkel’s marriage to Jill. Jill obviously can’t get her head around the need to understand the inner workings of a(n alleged) killer’s mind.

“No way is Franco coming over for tea…”

Finkel wants to believe in his new friend but Longo isn’t always frank and there are some curve balls thrown on the way to uncovering the ultimate truth…

Well. This is kind of dull really, though the story itself if quite explosive. What a shame. Jonah can’t be blamed for this one as he puts in a solid turn as disgraced journo Finkel who looks super cute in his glasses.

I am biased towards Franco, I can’t deny it but he really phones in this performance. I get as a character he’s quite closed off to the truth but he just looks smug the whole way through. I guess in some ways this does work for the character, who shows little remorse or feeling throughout, but a little bit of nuance would have been nice.

The women in this film are just side pieces – supporters and victims – and that’s quite annoying. The result, without proper padding of the relationships of the men, is rather flat.

There are flashbacks to happier times for Longo and his wife MJ (Maria Dizzia), with devoted father montages threaded throughout but these are just aftershocks and don’t fully paint a picture or a motive. Therefore you never really give a damn about either of the men but Longo even less.

It’s not bad, it just doesn’t have the oomph I would have liked.

⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What does my girl Jill think of True Story? Would she lie to it or write a book about its innocence? Find out here.

The Secret Diary of Laura Palmer

The Secret Diary of Laura Palmer is a book I read a lot when I was a teen. I was thrilled to find a copy in HMV the other day when I also bought Rosemary’s Baby in a delicious 2 for £5 offer. I re-read it over last weekend and found it just as sinister and creepy as ever. I think I had forgotten just how sexually active our Laura was and now I’m older I must say it makes me feel uncomfortable to be privy to the way she’s exploited.

Female sexuality aside and her right to autonomy over her own actions and body, she’s such a vulnerable character let down by so many people around her.

The diary is a companion piece to the series’ and film, and fills in some of the blanks around the mystery of Laura’s murder. Sort of.

I never really picked up on any clues back in the day but they are there. The diary itself doesn’t appear until episode 4 in Season 2 of the show. I read it with sadness and despair, the latter of which is an emotion that escalates in Laura from an incredibly young age.

From 12 to 17 she’s tormented by visits from BOB, a presence that takes great pleasure in humiliating and torturing her. At night he takes her to woods and does unspeakable things to her, leaving her frightened to sleep at night.

As she reaches puberty and discovers sex and drugs, she is able to numb herself against some of the trauma but at a price. Her antics further alienate her from her best friend Donna, her parents, her peers – and as she gets in with some deeply unsavoury characters – namely Leo Johnson and Jacques Renault – and gains employment at One-Eyed Jack’s – she begins to spiral out of control.

Sadly we know what happens to Laura (her fate is revealed in the first episode of Twin Peaks) and it’s heartbreaking to witness the demise of such a young woman with so much to offer the world. She is such a greatly complex character and as mesmerising to read as she is watch onscreen.

This is a book that could be triggering to some. At times it is extremely explicit and does allude heavily to the abuse Laura is routinely subjected to. When I read it as a teen I thought I was so edgy reading about sex but as an adult, I am far more aware of the darkness inside this character and of the injustice of it all. It’s really upsetting.

I’m on a massive Twin Peak revival tip at the moment and I’m currently plowing through the TV show at a rapid pace. I’ll be revisiting it on this very blog in the coming weeks. I’ve thoroughly enjoyed my time with Laura, once of my favourite fictional characters of all time.

Book details:

The Secret Diary of Laura Palmer
Publisher: Simon & Schuster UK (8 Dec. 2011)
ISBN-10: 9781849838627
ISBN-13: 978-1849838627
Bought paperback (new)

What are you currently reading?

Suspiria

Suspiria (2018)

While I half fucking loved this and half hated it, I do believe this is one of the most interesting films of the year and therefore a success in my eyes. The remake of Dario Argento‘s 1977 original is completely different to its counterpart, in style and in conclusion but it’s still beautiful and grating.

I can safely say that Suspiria (1977) is one of the most unpleasant viewing experiences I’ve ever had and yet it will stick in my mind forever. Much like a lot of Argento’s imagery – but this version is not by Argento so let’s park him here.

Directed by Luca Guadagnino (most recently of Call Me by Your Name), Suspiria Reloaded is also an acquired taste. The film follows ambitious dancer Susie (Dakota Johnson) to a world-renowned (and freaky deaky) dance company and as she settles into the flow of the place, under the stern eye of Madame Blanc (Tilda Swinton), shit starts to get weird. Like seriously weird and at times incoherent and psychedelic. It’s really better if you just watch it and draw your own conclusions.

There are moments of sheer horror that have stuck with me (looking at you bendy woman in the mirrored dance studio) but there are also parts that feel really flabby. I’m referring to the story arc belonging to Dr. Josef Klemperer (also played by Swinton), a grieving psychotherapist with a missing wife.

I guess the novelty of Swinton playing multiple characters (she also appears as Helena Markos) is interesting but it also jars on me. I wondered why I couldn’t connect to Klemperer before I knew it was Tilda in prosthetics and now I understand it. Dakota Johnson does a decent job as Susie Bannion but there are a couple of scenes I think don’t work for her. Mia Goth meanwhile is lovely, commanding attention whenever she’s onscreen.

Again, it’s definitely worth a watch if you’re a fan of horror, even if you’re not because there’s a lot to love here. It’s odd and abstract and compelling for the most part – and I most definitely need another viewing.

⭐⭐⭐½ out of ⭐⭐⭐⭐⭐

Have you seen Guadagnino’s Suspiria? What are your thoughts?

Hold The Dark (Film) Review

Jill and I have settled on a Free for All month for November because December will most likely be Shit Christmas TV Movies month. Look, we’re not machines and thinking of themes every month is hella difficult. So movies from our wish lists it is.

My pick this week is by one of my favourite directors and the screenplay is by Macon Blair so colour me pretty excited. Continue reading

I Wish I Knew How To Quit Boo – A Spooky Reading List

I’m finding it hard to hang up my Halloween hat and move on this year. It’s been such an awesome month. November will be just as cool – it’s birthday month! – but I don’t want to turn my back on spooky things just yet.

Continue reading

The Most Assassinated Woman in the World (Film) Review

Or La femme la plus assassinée du monde (original title)

Not much preamble today but I will say this. This film is very French and very confusing. Beautiful though.

*Minor spoilers*

The Most Assassinated Woman in the World (2018)

IMDB Synopsis

Paula Maxa is the Parisian Grand Guignol Theatre’s leading lady, famous for being murdered on stage every day. But is there a link between the theatre and a series of gruesome real-life murders?

My Review

Um. Let’s not rely on anything I say here in this review, I may well have the wrong end of the stick. Paula Maxa (Anna Mouglalis) is a beloved by some, hated by a lot actress at the Grand Guignol Theatre in good old gay Paree. She’s been slaughtered on stage more times that she’s had hot dinners and relies on stage-hand Paul (Jean-Michel Balthazar) to make it look as real as possible.

The theatre itself is run by some right oddballs who seem to have a very bizarre arrangement in place. Although the shows they put on nightly seem to do alright there is a very real threat on the horizon: the birth of cinema.

large-screenshot1

Rattle dem bones

When journalist Jean (Niels Schneider) arrives to interview Paula, a friendship is formed and there’s possibly something more a-brewing, though our girl is rather closed off. Via Paula’s own mouth we learn about the terrible secret that haunts her – the very driving force that keeps her screaming night in, night out. Meanwhile, there seems to be a plot to turn Paula over for real to a mysterious gentleman who might have a connection to her past… What the devil is that all about?

TMAWITW is gorgeous looking. It seems to capture the time period perfectly. All the costuming is wonderful and Paula’s supporting actresses are a lot of fun. Mouglalis is soulful as Paula, a haunted woman with a sad story, one that revolves around the death of her sister at the hands of a very bad man – and her inability to do anything to save her.

Guilt is a powerful emotion and it eats at Paula, who stays at the theatre as some sort of penance. Here she can scream as much as she likes, something she failed to do to save her sister’s life. When Jean arrives to offer her a way out, she’s torn. Can she leave this place and make it in Hollywood?

LE-FEMME-LA-PLUS-ASSASSINE-DU-MONDE-4

Oggly boggly

The ending is a little bit confusing, I won’t lie. But it doesn’t really matter. It didn’t spoil my enjoyment of this movie, which has some suspenseful moments and really is wonderfully OTT. The murders on stage are gloriously bat-shit and the audience laps it up. They come complete with bibs to capture the splashes of blood that coats everything around them.

Ooh la la!

My Rating

3/5.

What does my leading lady think of this one? Would she beg it for an encore or slit its throat? Find out here.