Scary Stories to Tell in the Dark

I was really looking forward to this Guillermo del Toro produced spookfest. The trailer piqued my interests from the get go and the intro to our central characters and their sleepy little town was really satisfying. Especially with Halloween just a few short months away. But I just wasn’t that into it and I’m sad about it.

Scary Stories to Tell in the Dark

A group of teens face their fears in order to save their lives.

Based on the iconic book series.


My Review

Scary Stories plays a little bit harder than Goosebumps but still has a similar vibe and although it is creepy AF there are no real scares. I have a high threshold for that admittedly but I do wish, as I do with so many movies, that it had been rated higher and gone all out. I guess the books this movie is based on were always intended for a younger crowd so that’s kind of a moot point. The trailer also gives an awful lot away and that’s such a shame.

Stories hurt, stories heal.

I did enjoy parts of it. The effects are great, the characters well-rounded, if slightly clichéd at times. It was nice to have a central teen character, Stella (Colletti) who is really authentically teenage girl, not glam or over-sexualised – and she still kind of gets the guy. The teen romance isn’t too cloying or over-emphasised – and the chemistry between friends is believable.

I just love amateur sleuthing on film and this has it in droves. A microfiche in the local newspaper’s archive room? Check! Dusty records in the basement of the local mental hospital? Check! A haunted house full of secret rooms and dark family secrets? You bet your bottom dollar that’s a check! I just wish I’d been more invested in the safety of the victims and less, hate to say it, bored during some of the conclusion. It was also a very obvious ending, something we’ve seen a hundred times before.

I bloody loved the scarecrow Harold and the pale lady though – I want a spin off with just them please – the King and Queen of the grotesque.

My Comments

Ultimately, Scary Stories is a little too by the numbers and it doesn’t wow as much as I wanted it to. Some of it is a little convenient and not followed through particularly well. Which is a crying shame because we’re entering a wonderful period for horror this year (and have has some right bangers already). This could’ve been a contender.

Film details:

Starring: Zoe Margaret Colletti, Michael Garza, Gabriel Rush
Director: André Øvredal
Year: 2019
IMDB Rating: 6.5/10
My Rating:

What are you watching?

The Shape of Water

The Shape of Water (2017)

Directed by: Guillermo del Toro
Starring: Sally Hawkins, Michael Shannon, Octavia Spencer, Richard Jenkins, Doug Jones

IMDB Synopsis

At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

*Minor spoilers*

Hype is a dangerous thing, as Andy used to say – or something along those lines. But it is – and I’m not sure this beautiful, whimsical fairy tale quite lives up to it much as it pains me to say.

Elisa and Zelda are cleaners at a top secret government laboratory. They’ve been friends for years, comfortable and happy together in their familiar routine. Elisa lives alone, in a crumbling tenement block where she also adheres to her own rituals, everything just so. She also lives next door to her BFF, closeted Giles, a struggling commercial artist who she likes to take care of.

One day Elisa (Hawkins) and Zelda (Spencer) become inadvertently involved in some secretive goings on that change all of their lives forever. There are goodies and baddies here, spies and monsters – but above all there is love and sometimes that’s all you need. Am I right?

The Shape of Water is lovely. Certain segments are pure magic and the performances are really something. That Sally Hawkins can convey so much without uttering a word is sensational. I’ve had a soft spot for her since she played Poppy in Happy-Go-Lucky. Octavia is also flawless and the women’s chemistry is touching.

Shannon is text book Michael Shannon and I liked it, though I found I was less impressed that I usually am. Perhaps because he can play a role like this with his eyes closed – or because I’ve seen him do it so many times before? In direct contrast, the nervous babbling of Giles (Jenkins) works so well. He’s a coward who takes a giant leap of faith because he loves his friend, he is flawed and he is understanding – and Richard Jenkins is adorbs too.

The story itself isn’t that complex and I’m not going to go into it too much. I think if you’re reading this you already have a gist of what it’s all about. I came into the viewing knowing not much about the plot which may have helped me – I just wanted to be wowed.

My issue is with the pacing, with the length of the film and with some of the more talky elements. I wanted to spend more time with Amphibian Man, marveling at his perfect fishy butt. We get a lot of fish man action, don’t get me wrong but I wanted less old white Russians sitting around tables discussing him and more HIM.

Fish Face for the record is beautiful (and opens quite the discussion about whether one would do it with a fish under the same circumstances). The monster work is brilliant in terms of makeup and aesthetic, while Doug Jones’ lanky (yet graceful) presence is as good as ever.


Oh, and the opening scene is pure Jean-Pierre Jeunet. It could have been ripped directly from Delicatessen – which is a good thing, I’m not adverse to a little (or a lot of) homage. I was also pleasantly surprised that although this is all about the love story, it’s also pretty hot. For all the whimsy, it’s also sexy and there’s a distinct darkness too.

All in all, this experience was strong but not exceptional.

My Rating