Tag Archives: Evan Peters

The Category is… Live. Werk. Pose.

Pose is set in the world of 1987 and “looks at the juxtaposition of several segments of life and society in New York: the rise of the luxury universe, the downtown social and literary scene and the ball culture world.”

*Minor spoilers*

I’m fashionably late to the Pose party but I’m so glad I made it. Based around the 1980’s NYC ballroom scene, it focuses on new house-mother Blanca (Mj Rodriguez) and the freshly formed House of Evangelista.

Having just received bad health news, Blanca has decided to start really living before it’s too late. This means leaving the bosom of her own house-mother, the ferocious Elektra Abundance (Dominique Jackson) and going out on her own. Well, not on her own.

Since her house vows to be there for the kids in need, she soon gains her own children in the form of Angel, Damon and Lil Papi – and the rivalry between Evangelista and the House of Abundance rages on.

Yassss Queen

Damon (Ryan Jamaal Swain) has been kicked out by his parents and is living on a park bench when Blanca finds him. She takes him in with the insistence that he get an education while under her roof. Things start to look up when he’s accepted into an exclusive dance school but will his new friend Ricky bring trouble with him?

(I’m only three episodes in, so I don’t know these answers either).

And the category is… Stone Cold FACE.

ICE cold

Angel (Indya Moore) meanwhile, has fallen for businessman Stan (Evan Peters), a rising star who just can’t get enough of her exotic beauty. While he balances the pressures of work and family life, he puts her up in her own condo to keep her off the streets and his life.

TBH I don’t really care so much about Stan’s story arc. I care about our central characters – including mean Queen Elektra who is about to embark on gender reassignment surgery – and ballroom MC, Pray Tell (Billy Porter).

Pray Tell is going to break me, I just know it.

The scene is stunning, the costumes insanely beautiful and the series opener is absolutely breathtaking. I care about these characters and I want to spend time with them all. I’ve already cried through the first episode (Damon’s audition is so lovely).

Yassss Queen Part II

Plus not one Jeffrey Tambor playing a trans character in sight – and that is amazing. The only thing that pisses me off is that Peters, Kate Mara (as Stan’s wife) and James Van Der Beek get top billing in the credits and that is frankly appalling.

Get on it stat – especially if you’re a fan of the stunning Paris is Burning (1990) and its unofficial sequel Kiki (2016).

What are you watching?

American Horror Story Rewatch: Part 2

Just like that, I am done. I can now dip into Apocalypse with a well-rounded understanding of all the characters, and where they cross-over/feature in each season. It’s so Stephen King!

I have absolutely loved my AHS marathon (which didn’t include Cult because that one is still so recent). Here are my thoughts:

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Freak Show

Freak Show starts strong but seems to drag in the last few episodes. Honestly, it could be cut by a couple of those, and the same could be said for the next two seasons as well. Like, we get it – let us live. As with the first two seasons, there’s a lot going on. The addition of Edward Mordrake is fun and it takes away one of the main villains early on (Twisty), leaving the coast clear for Dandy to step in as main psycho. But there’s so much to keep up with that it made my head spin a bit. I have also started to notice a trend for happier endings (for most of the characters) and it’s nice but also not really what I want. I sometimes want the wicked characters to get their comeuppance.

I also don’t really like Sarah Paulson‘s characters (Bette and Dot) in this (really bad FX) and find the addition of Neil Patrick Harris‘ Chester Creb a bit annoying (although it does bring back in the amazing Jamie Brewer). So it’s fun but could be condensed and therefore stronger as a result.

Evan Peters and Jessica Lange are spectacular as per and I really enjoy my attraction to Paul the Illustrated Seal. Frances Conroy and Emma Roberts are a bit wasted though – I prefer Emma when she’s being bitchy.

I did appreciate the tie in to Asylum as we meet Pepper again and then follow her journey to Briarcliffe. It’s sweet and sad but it’s nice to get a little bit of background on this character, who is played wonderfully by Naomi Grossman. We also enjoy a flash of Asylum’s Nazi doctor (James Cromwell) who is directly involved in a very macabre story line featuring Elsa Mars. This says a lot about me but I love the snuff stuff, it’s so horrible and that after all, is why we are here.

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Hotel

Hotel is majestic tbh and maybe my second fave. It is the first AHS without Queen Lange however, but Gaga does a mighty job as The Countess. Highlights here are Liz Taylor (Denis O’Hare) and Kathy Bates’ downtrodden Iris, especially when they team up against The Countess for some messy, bloody revenge. Again, this could be cut down a bit but when the setting is as wonderful and The Shining-esque as the Hotel Cortez, who’s really complaining? Evan Peters’ James Marsh is a little OTT but the Devil’s Night episode is magnificent. Lily Rabe is perfect as Aileen Wuornos.

Things that don’t work for me so well are Chloë Sevigny as Alex (she’s so amazing, why can’t AHS use her appropriately?) and I don’t give a damn about the Children of the Corn kids or frankly, serial killer (surprise!) John Lowe. What a dull family! See also: Rudolph Valentino and wife. Zzzzzz.

It is awesome to have Sarah Paulson back as Murder House‘s underused Billie Dean Howard though.

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Roanoke

This one is good because it really plays with structure and tries something new with the reenactment concept. It is also over long and very messy in places. For a time, in the second part when the real life characters and the actors who played them are trapped in the house, I lost the will to live for a while. There are good elements, don’t get me wrong but I didn’t really understand a lot of it – like Gaga’s character Scáthach – who never really comes to fruition and then just sort of peters out.

I still like it though and I particularly love the horrible Polk Family. Adina Porter enters the AHS franchise as the real Lee Harris and I bloody love her. She was amazing in Cult and she’s in the new one too, so yey for that! Sarah Paulson and Kathy Bates both deserve to be strung up for their accents though, there’s no excuse.

Until Apocalypse, bitches.

American Horror Story Rewatch

The last three/four months of the year are always my favourite. From late September to January I love reading ghost stories and watching horror from the comfort of my warm flat. These dark stories, they light up the long nights and I love them even more then. So my treat to myself this year is to revisit American Horror Story from the start (thank you Netflix).

Well, call me committed because I started two weeks ago (early, sue me) and I’m just about to finish Freak Show. My relationship with this show has been complicated in the past – when it first burst forth with its demented artistry – I loved it.

I gobbled up Murder House, Asylum and Coven without a second thought. But I ran out of steam when if came to Season 4 (Freak Show). I experienced the same with Hotel and Roanoke, and I’m not even sure why. I was enjoying myself and then, I must have got distracted.

I finished Cult though and I’m gagging to get into the new season, Apocalypse but not before I’ve re-watched everything from the beginning. And I am loving it so far!

Here are my thoughts on the first three seasons. *Minor spoilers*

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Murder House

The original but not the best in my eyes. Thoroughly enjoyable though – not least because it reintroduced us to the old school magic of Jessica Lange – who is the undoubted Queen of AHS. MH is a bit of a mess in the sense that it crams a hell of a lot into it – so many murders occur in that house it’s hard to keep up – but I really appreciate the set up.

The cast is great – Evan Peters, Lange, Frances Conroy, Connie Britton, Taissa Farmiga – and I really love some of the story threads. Including; Violet and Tate (love’s fucked-up dream), Moira O’Hara the maid trapped in perpetual purgatory, Dr. Charles Montgomery (illegal home abortionist and part-time Frankenstein), The Black Dahlia (#obsessed) and neighbour Constance Langdon’s own horrible arc.

I’m especially fond of Interior Designer Chad (Zachary Quinto) and his lover Patrick, cut down in the middle of a blazing row – and trapped together in the Murder House for all eternity.

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Asylum

Same criticism as above but more so with Asylum. So much going on and a lot of it doesn’t quite come to fruition – Nazi doctor story line, I am looking at you. But it is horrible and darker somehow (yes, even darker than gimp rape).

Lange’s Sister Jude grapples with her own personal guilt as she runs the show at Briarcliff, a home for the mentally incapacitated. She’s not a good woman and she’s delicious. Working alongside lovely Sister Mary Eunice (AHS regular Lily Rabe) and staff doctor (with an iffy past) Dr. Arthur Arden (James Cromwell), she tends to her patients with an iron first. Her wards include wrongly accused lady murderer Kit Walker (Peters) and lesbian journalist being kept against her will, Lana Winters (Paulson).

On staff also is kind Dr. Oliver Thredson (Quinto) who may or may not harbor a dark secret of his own – but don’t we all?

Asylum features some one-off story lines that kind of muddy the water for me. For instance Arthur Arden, like Charles Montgomery before him, is something of an experimental surgeon but I don’t feel as though they see that through. It fades out in favour of giving more minor characters their screen time. Plus, when he’s accused of being a Nazi doctor by Anne Frank (just go with it), I wanted that to come to something (although there is a passing reference to him in Freak Show).

Plus, there’s the UFO story running through the heart of Asylum that doesn’t really float my boat – though it works better than I thought it did the first time round. Maybe I’m just more tolerant in my old(er) age.

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Coven

Definitely my favourite to date and you could argue that the format has tightened up for the third story. It definitely flows better – and for me, the witches of Salem make the very best subject matter. Plus, Stevie Nicks!

Emma Roberts, Angela Bassett, Kathy Bates and Gabourey Sidibe join the cast and add another bitchy layer to proceedings. They’re all magnificent and the young witches, including Taissa Farmiga and Jamie Brewer as Nan are dreamy. Especially when Stevie Nicks loving necromancer Misty Day (Lily Rabe) joins them from the swamp.

Set in New Orleans and focused around Miss Robichaux’s Academy for Exceptional Young Ladies, run by headmistress Cordelia Foxx (Paulson) we enjoy the company of witch hunters, axe-murderers, voodoo queens and ancient (racist) aristocracy.

As for Lange, I think this is her best work. She nails The Supreme Fiona Goode to the floor. As she goes against the long time truce made way back when with Voodoo priestess Marie Laveau (Bassett), she struggles with her own mortality and will stop at nothing to hold onto her crown. As for her life-long rival, Myrtle Snow (France Conroy), I know whose style I’m going to channel in 30 years time.

On Wednesdays we wear black, bitches.

~

Thoughts on Freak Show, Hotel and Roanoke to follow.

What are you watching?

American Animals

American Animals (2018)

*Minor spoilers*

I feel like I had to work extra hard to catch this movie in the theater (by going to another one). The Odeon showed it for what felt like ten minutes before pulling it due to lack of interest so I had to seek it out. It was worth it.

Based on the true story of four acquaintances who attempt to pull off an extraordinary heist based on a load of crime caper movies they’ve watched as homework, it’s a really interesting ride. Spliced with interviews with all the real life ‘characters’, including all four robbers, it builds up to the day of the robbery from its moment of conception.

The fictional Spencer (Barry Keoghan) works in a supermarket and is dissatisfied with his lot in life. Waiting for something to come along and render his existence special somehow, an idea is born the day he visits Transylvania University and sets his sights on John James Audubon’s The Birds of America as well as a collection of other rare books (including Darwin’s The Origin of Species).

The first edition of Katie Price’s Being Jordan sure was a rare and priceless gem

Initially just intrigued that such rare artifacts could fetch such a pretty penny, Barry mentions it to his best friend Warren (Evan Peters) who takes a grain of an idea and runs with it. Warren himself is a wild card and you could argue is the main instigator of the plan, though he might deny it (and more or less does on camera via the real Warren Lipka).

The boys find themselves involved in a world they’ve never experienced before, taking meetings with fences and buyers (when Warren travels to Amsterdam), doing their research (all manner of heist movies, including Reservoir Dogs) and generally focusing all their attentions on their mission to steal the priceless books and sell them on.

When they realise they’ll need more help, they enlist the assistance of Eric (Jared Abrahamson) and Chas (Blake Jenner) though both are kind of reluctant participants, particularly when it comes to any sort of violence, a dash of which they’ll need to deal with the one person standing in the way of their prize – librarian Betty Jean ‘BJ’ Gooch (Ann Dowd).

Can they pull it off or are they doomed from the start? As the story gains momentum, the relationship these men share are tested to the max and they are forced to deal with their own individual feelings of guilt, failure and regret.

Take That were trying a new look for their long awaited reunion

I bloody loved American Animals. I’d be lying if I told you it wasn’t Evan Peters that initially pulled me in but I also love a good heist movie. Especially one based on a true story and one that examines four normal real life characters and their motivations. The whole concept of wanting that one incredible thing to happen is very relatable and the fact that we get to see interviews with their families reminds us of the consequences of their actions.

Barry Keoghan is amazing as Spencer and he sold his character to me the most. I really enjoy him as an actor, having really been creeped out by his role in The Killing of a Sacred Deer so I’m quite interested to see more of him.

Hereditary‘s Ann Dowd is great as always, though we don’t see nearly enough of her. During the will-they-won’t-they heist scene, she is heartbreaking in her vulnerability and it left me feeling genuinely uncomfortable. I definitely recommend this film which is subtly stylised in its look but also holds up as a dark and genuinely tense crime caper.

My Rating

4.5/5.

Adult World (Film) Review

adultworlddvdboxNo preamble this time. You know this month’s theme, though it looks like it’s heading into ‘Unintentional Cusack Sibling’ territory, which isn’t such a bad thing.

*Spoilers ahead*

Adult World (2013)

Director: Scott Coffey
Stars: Emma Roberts, John Cusack, Evan Peters

IMDB Synopsis: Amy, a naive college graduate who believes she’s destined to be a great poet, begrudgingly accepts a job at a sex shop while she pursues a mentorship with reclusive writer Rat Billings.

My Review:

Being an adult is hard, especially when everyone you love keeps telling you you have to start acting like one. This is exactly the kind of bullshit Amy is up against.

Why won’t everybody just let her live?

Thing is, nothing in this world is free, not even dreams, so wannabe poet laureate Amy is forced to find a job. Seems only the local sex shop is hiring, and girl, let me tell you I’ve been there. It’s not all bad though, as she gets to work with Evan Peters and be judgmental about the objectification of women in the movies they sell. Sweet.

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No clever caption for this I’m afraid

Alice is a bit of a whiner, so convinced of her own brilliance that she forces herself on reluctant, and formerly brilliant poet Rat Billings, who she’s basically obsessed with. He’s a dickhead past his prime to everybody but Amy, yet she is adamant she wants to be his protegé. That she gets almost nothing from him does not deter her, sadly.

Meanwhile, Amy makes friends with the fucking fabulous Rubia (Armando Riesco), and the old couple who own the cunningly named sex shop, Adult World. Her new bohemian family. Which works out pretty well for a would-be poet yet Amy’s still not content. Every piece of writing she submits to every single place she can think of comes back rejected.

To be helpful, Alex (Peters) suggests Amy submit some erotica to one of the top shelf magazines. Amy isn’t into this idea at first, not least because she’s a secret virgin herself. On a whim however, and under the influence of Jack Daniels, one evening she sends something off and promptly forgets about it. Somewhere along the line there’s a conversation about faking certain situations in writing which inspires her.

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How can any human resist the diamante bow tie?

Meanwhile, Rat is still playing hard to get and not giving Amy adequate feedback on her poems. Even when she drunkenly propositions him. Still, she is delighted when he offers to include one of her pieces in an anthology of new poets he’s currently working on.

You’re going to find this review a little light on the ground, and that’s because so is the plot around here. Amy whines, Rat lives up to his name and treats Amy to a life lesson and we all go home, basically. There’s a little light romance, which steps up its game after Amy and Alex row, and Amy finds out Alex is secretly a talented painter, and not just a sex-shop loser. She might also finally let go of her cherry.

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She really, really hated men with acoustic guitars

Questions:

Will Amy fulfill her poetic destiny or does the universe have other ideas for her? Will Alex and Amy find common ground in love? Will anything come of Amy’s writing dreams?

Will you honestly care about anything other than the scenes featuring Rubia?

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Plath should of written porn

My Thoughts:

Quite dull really. Makes light of suicide in the beginning which kind of bugged me but also lent itself to Amy’s character (AKA irritating). Emma Roberts is perfectly adequate in the role, semi-amusing a couple of times but doesn’t invoke much sympathy. I hated John Cusack too, sorry.

This could have been really great but was missing something, whatever that was. Maybe a stronger more relateable central protagonist. Perhaps I’m finally out of touch with ungrateful 22-year-olds wasting their talents?

I guess what I did like was the moral of the story: dreams are great to have, but sometimes you have to adapt them, just a little.

My Rating: 2.5/5. Meh. Instantly forgettable.

What did Jill think of Adult World? Was it her Plath or would she happily confine it to the bin? Find out here, obvs.