Category Archives: Jillian & Christa’s Great Blog Collab 2019

The Dirt

April is now officially Biopics (or Based on a True Story) month, which I admit I only suggested so I could shoehorn in this movie this weekend. It’s been getting mixed reviews all over the shop so Lord knows what to expect. If nothing else at least it will be debauchery central up in here.

The Dirt (2019)

The story of how Mötley Crüe came to be one of the most notorious rock ‘n roll groups in history.

Starring: Douglas Booth • Iwan Rheon • Daniel Webber • Machine Gun Kelly

*Minor spoilers*

When a movie more or less begins with a female ejaculation scene (not portrayed nearly enough outside porn), you know you’re in for a ride. Whether it’s a good one or not is for you to decide for yourself though.

This is the rags-to-riches tale of how Mötley Crüe came to be pretty much the most rock n’ roll band ever to have lived (after S Club, obviously).

We begin with the metaphorical birth of Nicky Sixx (played as an adult by pretty boy Douglas Booth) – born into the world as Frank Carlton Serafino Feranna, Jr. Barely a teenager, sick of his mother and done with an endless parade of deadbeat step-dads, he frames her for assault and takes off on his own, stopping in only to officially change his name forever and burn Frank’s ID.

Sofa-hopping and just about getting by with his current band Sister, one night he meets a fan in the form of drummer Tommy Lee (Machine Gun Kelly). The pair soon form a new band (and friendship) – and recruit surly lead-guitarist Mick Mars (Iwan Rheon) and lead-singer Vince Neil (played superbly by Daniel Webber).

Beetlejuice’s new look was pretty well received

Tommy Lee – in contrast to Nicky – comes from a harmonious home, supported in his creative endeavours by happily married parents. This leads him on a quest to recreate their whirlwind magic for himself, which explains the multiple marriages in his history (no shade).

Mick meanwhile, is hiding a secret health condition which is slowing him down big time, while Vince is the charismatic front-man with the world (and all its babes) at his feet. As the band sign to a label and begin to take the world seriously by storm, their trouble really begins – and I can’t imagine being able to resist half the temptations afforded to them myself.

This scene is pants

In short drugs, booze and broads are the order of the day but at what cost? AT WHAT COST?!

You can kind of imagine most of it but key moments include the 1984 vehicular manslaughter of Hanoi Rocks drummer Razzle (Max Milner) at the hands of a drunk driving Vince (and subsequent super lenient jail time), touring with Ozzy Osbourne (Tony Cavalero) and the near-death of Nicky Sixx by heroine overdose.

Tommy loses the love of his life Heather Locklear (Rebekah Graf) because he can’t keep his T-bone in the pantry – and Mick finally has hip surgery. There’s rehab, there are arguments and relapse – and there’s a life-altering event in Vince’s life that is even more prolific than the car accident.

The question is, after everything they’ve been through can our rockers pull it together and see it through to the end – or will they burn out like the brightest star?

That shit is bandanas

The Dirt is entertaining, I’ll give it that. I liked the brief time we spent with Ozzy who I think was cast really well. I know for a fact I was here for those infamous rock n’ roll shenanigans and watching him licking up his own piss and snorting ants was fucking disgusting but also the kind of wildness I expected.

However, while there are loads of sex and drug scenes, it didn’t go quite as far as I wanted. I *think* in some ways it’s because of the casting of the band. While Machine Gun Kelly is a pretty solid Tommy Lee, he makes the character seem almost wholesome. And Nicky is positively baby faced. I don’t buy them as seedy adults, I’m sorry.

I hardly know anything about the band apart from Tommy & Pammy’s sex tape – and the fact my horrible ex really fucking liked them – so maybe I’m wrong about that. There’s a chance they’re perfectly cast and I just don’t know it but honestly, I don’t think so.

Women do not get a good deal in this movie. They play either mothers or whores (sometimes both simultaneously) and that says a lot about the mindset of the group at the time. I suppose, even though I don’t like this one bit, it’s to be expected.

Always time for a cheeky Nando’s, even when you’re uber famous

I would have liked to know more about the crash if I’m honest and seen more evidence that it played on Vince Neil’s mind at all. From this portrayal it isn’t clear. However, I think he was played beautifully and I felt a lot when bad things happen to his family (even though wife and daughter are incredibly 2D).

I HATE the breaking of the fourth wall though, it’s so overused these days. The interruption every now and again to correct a so-called storyline fact is supposed to be cute but it’s just grating. So yeah, I had fun but that’s about it. It’s quite average really and that’s a shame considering the collection of true characters in the band.

⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What does my rock star think of this one? Is she ready to follow it around the globe in a halter neck or would she rather drop it from the label? Find out here, fuckers.

Party Girl

I’ve really been hankering after the 90’s lately, particularly after Captain Marvel and its outstanding soundtrack. If I could go back for a weekend with no consequence or effect on my present day life, I so would.

So, with this in mind, this week’s film is perfectly placed and I might be *am* #obsessed with the fashion, the whole aesthetic and our leading lady.

Party Girl (1995)

Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an illegal party. To repay the loan, she begins working as a library clerk.

Starring: Parker Posey • Omar Townsend • Donna Mitchell • Liev Schreiber

*Minor spoilers*

Mary (Parker Posey) is your average NYC party girl. More or less unemployed with an insane designer wardrobe, moving from coolest club to cooler club and getting off with Liev Schreiber in the street. When she’s booked by New York’s finest for throwing an illegal party, she is forced to call upon her godmother Judy (Sasha von Scherler) to bail her out.

Judy – tough but fair – does it but she also lectures Mary on responsibility. To pay back the bail money she gives her goddaughter a job as a clerk at the library where she works. Mary is not stoked to be there and spends more time outside talking to the falafel vendor, Mustafa (Omar Townsend), who she digs.

When we meet Mary she has a boyfriend, Nigel (Schreiber) but he’s dumped when he admits he’s peed in Mary’s shower again. This frees up our free-spirited heroine to flirt with Mustafa, who is in competition with a rival vendor, on the same corner of the street. Mustafa reveals he used to be a teacher in Lebanon.

“I like you a falafel lot…”

For a while Mary gets by at the library but she’s still preoccupied by the party scene – and she doesn’t really get the filing system. One day Judy has enough and reams her out, telling her that even a monkey could have learnt how to file by now. These stinging words obviously get to Mary as she chooses to stay overnight at the library that night to get her head around the Dewey Decimal System, rather than going to da club, where her BFF Leo (Guillermo Díaz) has just got his first gig.

His new boss Rene (Donna Mitchell) is an absolute queen I have to say and hard as nails. My favourite side character by far.

“Book ’em, Danno.”

After this Mary becomes pretty fucking good at her job but Judy still won’t really trust her, citing the irresponsibility of Mary’s mother as one of the factors. Sounds fair.

Unfortunately, Mary fucks up one last time when she bones Mustafa in the library and some books get damaged. Judy fires her and she falls into a downward spiral, fighting with her new man, doing drugs and almost getting raped by Nasty Nigel. She and Leo are also evicted and the worst thing that could happen happens – she is forced to sell her wardrobe to stay afloat.

A mood

All this serves as a wake up call and Mary finally makes a decision about her future. But she needs Judy on board – is it too late to convince her?

PG is honestly very charming and also not nearly as fluffy as I was expecting. It’s all the more endearing for it too. Posey is dreamy at the best of times but as Mary, she manages to keep you invested at all times. Even when she’s in self-destruct mode.

I love the juxtaposition between both worlds – the frivolous and the responsible. I haven’t really much more to say about it other than I love the 90’s ballroom scene vibe, the spectacle and the attention to detail.

You better werk

Posey’s wardrobe isn’t just cute, it’s a work of art and an expression of the character. This is a cool article about some of the outfits she puts together.

In my mind I hope she becomes the most successful librarian in NYC but also remains prolific on the party scene. She shouldn’t have to give up one for the other if she doesn’t want to.

⭐⭐⭐½ out of ⭐⭐⭐⭐⭐

What does my favourite librarian think of Party Girl? Would she fire it unceremoniously or believe in her all the way? Find out here of course.

Isn’t it Romantic?

Sometimes I just need broad humour to battle a chronic earache and period pains – and do you think I feel guilty about it? Hell no.

This week we look at one of the oldest movie templates in history – the Rom Com – from a cynical standpoint. Will we somehow learn a lesson by the time the credits roll? Probably not but there’s a sing/dance off so I’m in, whatever.

Isn’t it Romantic? (2019)

A young woman disenchanted with love mysteriously finds herself trapped inside a romantic comedy.

Starring: Rebel Wilson • Liam Hemsworth • Adam Devine

*Minor spoilers*

My relationship with Rebel Wilson is complex. On the surface I enjoy watching her but I find her a little one note. It’s probably not even her fault but I’d like to see her break the mould and play a completely different type of character in the future. The constant gurning gets on my tits too.

Anyway, problematic tastes aside, this film is a no-brainer and exactly what I needed on a lazy Saturday afternoon. I’ve actually already seen it but felt I needed another watch because I’d forgotten most of it.

Same tbh

As a child, Natalie (Rebel Wilson) was all about the romantic comedy, until her mother (Jennifer Saunders) burst the bubble. Claiming that sort of story wasn’t for the likes of them and only the Julia Roberts’ of this world, Natalie grew up and became a cynic.

Twenty five years later and Natalie is not exactly open to finding love. A junior architect with big ideas but a lack of confidence, she spends her days feeling invisible and is oblivious to all the good around her. Friends Josh (Adam Devine) and Whitney (Betty Gilpin) try to get her to see things differently but it’s almost impossible to shift her perspective.

One day, after bombing a big presentation by being mistaken for the coffee bitch by new client Blake (Liam Hemsworth), Natalie is mugged on the subway. Hitting her head, our hero wakes up in hospital and – worse – inside her own nightmare AKA romantic comedy land.

Rebel girl

Shiiiiitt.

Everything in her new world is beautiful and harmonious. Men look her in the eye and call her adorable every time she trips (ew). Natalie’s previously run down neighbourhood has been gentrified and her shabby apartment is suddenly seventeen times bigger and full of everything good in the world. Most importantly, when Blake hits her with his car, he is instantly smitten with the baffled (and completely unrumpled) Nat.

Not everything is in Nat’s favour though. Whitney has become her bitchy rival at work and she can’t bleeping swear without having it bleeping bleeped out.

“Uh, do you have a brother?”

When she realises she’s woken up in a parallel universe (OBVIOUSLY), our girl figures the only way to get back to real life is to hit her head again. When that doesn’t work, her only option is to make Blake fall in love with her so she can be free. DUH.

Which isn’t too shabby when you consider he’s a Hemsworth. Alas sex isn’t something that actually happens in rom coms (not this one, anyway) so Nat is left largely unfulfilled. Logic is not something you need to worry about for the next 90 minutes, don’t worry.

Meanwhile, Josh rescues yoga ambassador Isabella (Priyanka Chopra) from choking in the park and they fall quickly in love. But something just doesn’t add up, despite how unbelievably perfect everything is. Can you guess what that is guys?

Should’ve worn a brighter colour, love

When the penny finally drops, Natalie has to figure out a way to sabotage the happy couple AND get back to the way things were. Luckily, she has GBFF and neighbour Donny (Brandon Scott Jones) on hand to help her scheme.

Will Natalie learn from all this? Will she be proven right, that as a strong independent woman she doesn’t need a dude to complete her – or will she see that actually – if she lets herself be open to it, she can have it all if she really wants it?

This isn’t M. Night Shyamalan and there are no surprises here. There are a couple of amusing bits (the telephone number on the petals, the karaoke sing-off) but it’s not that smart. It’s just another paint by numbers, the very kind of movie that Natalie despises in the first place.

The saccharine ending is sweet (sickly sweet) but it might have been nice if she had been offered it all and decided to stick to her single girl guns. I don’t know, I just find the messaging a little muddy.

“This is a dance off, bitch”

Rebel is gorgeous and it irritates me that she would ever be considered invisible. She’s a goddamn knock out. Yet again we’re being sold a can only be found attractive in a parallel universe narrative and I’m bored. Yes this is supposed to be a comment on society and the bullshit of the commercial world women exist within but for fuck’s sake can we move on now? (See also I Feel Pretty).

Can we just have diverse female characters who don’t fit the cookie cutter mold but do have normal, happy lives and don’t have to defend themselves/play up to a stereotype/be extra-kooky to disguise all their hideous flaws?

I don’t hate this by any stretch, I just wanted more from it. As Jill says, Crazy Ex-Girlfriend did a romantic spoof episode a while back and did it way better.

⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What does my love think of this one? Would she take it to the ice cream shop or challenge it to a Karaoke-off? Find out here.

Yes or No?

 

A slice of Thai LGBTQ dramarama this week, courtesy of Netflix, which boasts an impressive selection of gay world cinema if you ever fancy it. The main thing I have taken from this viewing experience is the fact I have little to no patience and should probably take a step back and try to enjoy the sloooooooow burn. Was it worth the wait? Read on to find out, loves.

Yes or No? (2010) Yes or No: Yaak Rak Gaw Rak Loey (original title)

Pie is a sweet girl who moves into a new college dorm room where she finds out that her new roommate Kim, is a tomboy who looks and dress like a boy. As their friendship develops, Pie and Kim begin to wonder if the feeling they feel for one another is just an ordinary friendship…

Starring: Sushar Manaying • Supanart Jittaleela • Arisara Thongborisut

*Spoilers*

Uh despite what the synopsis above says, Pie (Sushar Manaying) ain’t that sweet. Not to begin with anyway. She changes dorm rooms at university because she can’t handle the drama from her friend Jane (Arisara Thongborisut), a pretty lesbian who falls in love more often than she changes her knickers.

So, full of excitement for her new start in a new room, she’s peeved to learn her new roommate is a ‘tomboy’. That’s a girl who lacks femininity, dresses like a dude and dates girls if you’re not au fait. Kim (Supanart Jittaleela) isn’t so sure this is what she really is, given that she’s never fancied a boy or a girl but Pie has already taken against her. She quickly sets out clear boundaries, instructing Kim to keep to ‘her side’ (in case dyke germs are contagious) and screaming at her not to make any noise.

A mood

Like I said, kind of a twat. You see, Pie is influenced heavily by what her mother thinks and unfortunately ma is a monster with a very narrow mindset. Kim is a cutie and doesn’t deserve the shit she keeps getting thrown at her so it’s nice when Jane develops a crush on her. But, love is complicated and you’ll never guess who she really has heart eyes for… really, you’ll never see it coming.

Slowly but surely Pie and Kim begin to bond much to Jane’s dismay. Pie also has an on-off love interest skulking around in the shape of mum-approved Van, a dude who constantly turns up unannounced with flowers and tells everyone that he’s Pie’s man.

Honestly, there isn’t an awful lot to this story. Pie and Kim are attracted to each other but Pie is scared and confused by her feelings because of her bitchy mother and her friends, who might take the piss. Kim seems pretty comfortable in her own skin to be honest, as she wraps her head around her feelings for Pie. And she’s forever bringing her slices of cake so she’s definitely a keeper.

“How much can you bench?”

When it all becomes too much and the two lover/friends reach the point where they need to make a decision – yes or no FFS? – will they both have the courage to see it through?

Well, this is the angstiest film I’ve seen in a long time. It’s like an extra, extra long episode of Home and Away from my teen years. I’m not against it for this at all, in fact once I’d got into the groove with the main characters I was enjoying myself. It’s just that it took us nearly two hours to reach any sort of conclusion – and there’s only so much will they/won’t they I can stand. You’re not Tim and Dawn from The Office, guys (UK edition).

I also really hated half the secondary characters. While I wasn’t supposed to agree with anything Pie’s mum had to say – about sexual abomination and going against nature – I expected her to come around for the love of her daughter. Perhaps she did off camera or will in the sequels (of which there are two on Netflix, no less) but I stayed mad at her as the credits rolled.

Pie and Jane’s crew include a grouchy girl named Nerd and the token boy called… Boy. Boy is a highly-sexed oddball who propositions every man or boy within spitting distance and I kind of love him for it. He also sports the exact same haircut that I had in secondary school.

Justice for Jane

My main beef though, pace not included, was that Kim never tells Jane she’s not interested and I feel she deserved better. I mean, yes she falls for a new love every other week but she’s a romantic, give her a break. Also, there’s a really unfortunate rape joke thrown in about two thirds in and a clunky attempted suicide scene which isn’t very sensitive. Don’t play these two things for laughs guys.

I’m here for lesbian love stories though and it’s always refreshing to enter an almost entirely female space so I’m not mad. It’s not very good, the acting is shaky at best and it’s so OTT I felt like throwing my own tantrum just so I didn’t feel left out – but at least it isn’t Peppermint.

⭐⭐½ out of ⭐⭐⭐⭐⭐

What did my lady love Jill think of this angst-fest? Would she banish it to the other side of the room or push their beds together? Find out here.

Peppermint

Free for all month this month and that means clearing off some of the old Amazon/Netflix wish lists and hoping for the best. But sometimes your best just isn’t good enough, is it Jennifer Garner (star of this week’s vigilante justice tale)? Continue reading

The Breaker Upperers

A little New Zealand banger this week and what a joy it is too. If it had been fifteen minutes long and just consisted of the last scene, I still would have been delighted with it. Continue reading

Whip It

Both Jill and I have been surprised by how lack-luster our choices have been so far this Feminist February, so I wanted to go for something I knew would be guaranteed fun. How can it not be with this cast? Plus, although I don’t always appreciate Ellen Page in her movies, I like her politics in the real world – so I chose this also because of that. Plus DREW BARRYMORE.

*Minor spoilers*

Whip It (2009)

Bliss Cavendar (Ellen Page) is a teenage misfit in the small town of Bodeen, Texas. Pushed into local pageant life by her former-beauty queen mother Brooke (Marcia Gay Harden), she is expected to conform to certain ladylike ideals. When she rocks up to one of the competitions with blue hair, Brooke is suitably disappointed.

Bliss’ heart just isn’t really in it, you know? She feels stifled by small town life. Luckily she has a cool best friend in the shape of Pash (Alia Shawkat), who is all too willing to be roped into side adventures. The pair also work together at The Oink Joint where the specialty is something called “the Squealer”.

“This little piggy went to Austin, this little piggy stayed home, this little piggy joined the derby…”

During a shopping trip with Brooke to Austin, Bliss sees a couple of derby girls handing out flyers. Under the guise of going to see a football game, she and Pash go back to Austin on their own to witness the derby for themselves. During the show the Holy Rollers defeat the Hurl Scouts and Bliss falls in love with the sport.

After the show she meets Maggie Mayhem (Kristen Wiig) who persuades her to come to the next team try out. Lying about her age, she does and – lo! – discovers she has natural agility on the rink. Unfortunately her skill also catches the attention of mean girl Iron Maven (Juliette Lewis) who’s naturally threatened by this new kid on the block (I feel you girl). She also meets wannabe rock star Oliver (Landon Pigg) who quickly, and predictably becomes her love interest.

“What do you think of my big helmet?”

Bliss is forced to lie again when she tells Oliver she lives with roommates in Bodeen. The two quickly become an adorable couple but Bliss, now with the stage name Babe Ruthless, is heading for a fall. And exactly how long can she keep up this double life anyway?

Her parents think she’s signed up for extra SAT classes while Oliver thinks she’s an upwardly mobile badass of the world, something’s got to give, right? Well, when Maven gets her mitts on the truth, she has just the leverage to get Ruthless out of her life and off the team for good.

This is a lovely coming of age movie with a dream cast. Drew Barrymore’s directorial debut is based on the novel Derby Girl by Shauna Cross. She also plays Smashley Simpson and is the most accident prone of the group. Support includes Eve as Rosa Sparks, Ari Graynor as Eva Destruction and Zoë Bell as Bloody Holly.

I’m supposed to buy you shoes from a… a head shop? Does that really strike you as responsible parenting? ~ Brooke Cavendar

My face every time I remember Juliette Lewis is a Scientologist

I really like this movie, which I have seen before. I was really happy to revisit it and I think what I enjoy most about it is the mother/daughter element. While Brooke projects her own issues onto her daughter, despite her obvious reluctance to be part of the pageant scene, it’s hard to watch. And when Brooke lashes out and disses the derby girls, despite their kindness towards Bliss, she’s lashing out at a different way to be a woman, one she just doesn’t understand.

This film does not rely on men, all the men are secondary, even Oliver who fucks up as soon as he goes on tour. He doesn’t break Bliss nor does he feature again once she’s burnt his jacket and told him she’s not going to be the girl hanging about waiting for him at home.

Scream if you love Drew Barrymore

The derby girls are fucking great. While Maven is outwardly hostile she eventually gets over herself enough to admit why Babe sticks in her craw so much. But everybody else is welcoming and supportive, sticking two fingers up at the notion that women should always be competing. Sure, they are on the rink but beyond that, it’s a different take on a real and loving family.

This is wonderful sisters doing it for themselves stuff, it’s about following a dream, even if it’s just a dream for now. It’s about getting smashed in the face multiple times and getting back up. It’s about understanding your own needs and going out there and nourishing them. And it’s about looking fucking cool in knee pads.

I’m inspired to be more me when I think about it, even at this ripe age and although my answers probably won’t be found on the end of a pair of skates, it’s nice to know there might be something out there for me too.

⭐⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What does my derby girl think of this one? Would she trip it violently or be on hand to patch it up, no questions asked? Find out here.

“I really liked you in Too Young To Die…”