Category Archives: Adventure

Christopher Robin

Christopher Robin (2018)

IMDB Synopsis

A working-class family man, Christopher Robin, encounters his childhood friend Winnie-the-Pooh, who helps him to rediscover the joys of life.

*Minor spoilers*

When you put away childish things, life can get really fucking dull. Or so we’re lead to believe, I wouldn’t know, I’ll never tidy away my Funko pops and comic books.

Christopher Robin (Ewan McGregor) knows though and as a middle-aged working-class workaholic, he’s all but forgotten the magic of childhood. Which is shame ‘cos of all the childhoods his is probably up there as one of the most magical, you know?

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Constantly working late and perpetually disappointing his wife Evelyn (Hayley Atwell) and their daughter Madeline, Chris has allowed all the joy to be sucked out of his life. When his boss, the sniveling Giles Winslow (the fucking fabulous Mark Gatiss) of Winslow Luggage demands he give up a precious weekend away with the family to stay in the office and make drastic financial cuts, he is torn. He knows what he should do but also wants to do right by his career.

Perhaps what he needs is a little help from an old friend or two to give him perspective?

This is a film that has obviously been lovingly made. The CGI animals are not jarring at all and the performances are as competent as expected (including the voice work of Jim CummingsPeter Capaldi and Toby Jones). However, I think this is another film that is not for me. I personally find Pooh and friends creepy in a way Paddington isn’t and I don’t know why. Especially you, Piglet.

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“I’ve been seeing someone else… his name’s Paddington…”

I also got a lot of anxiety every time Pooh smeared honey all over everything which I thought was just me until I mentioned it to my friend Helen, who wholeheartedly agreed. Honestly, there’s one scene that brought me out in hives. Stop doing that, you bad bear!

So, I can objectively say that this is a well made film but it was ever so slightly boring in places. It only really gets going in the final segment, as Pooh, Tigger and pals travel with Madeline (Bronte Carmichael) to Lon Don to try and save his job.

Pooh was always around when I grew up but he wasn’t a core part of my childhood and maybe that also goes some way to explaining the disconnect I felt to this film. I think die hard fans with cream themselves.

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You can stay, Tigger.

*Shrug*

My Rating

3/5.

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom (2018)

IMDB Synopsis

When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.

*Spoilers*

I don’t mind admitting that I went into this with little expectation. I wasn’t crazy about the first Jurassic World and only signed up for Fallen Kingdom based on the trailer, in which a gigantic sea dwelling monster rises from the deep to chomp on some surfers. Call me shallow.

What I did get was a dinosaur heavy romp with a conscience, a fun ride that was worth my time even if some of the plot points are utterly ridonk. I got an evil Toby Jones too – and some remarkable side characters, including Zia (Daniella Pineda) and Franklin (Justice Smith) who kept the laughs coming. 

Bryce Dallas Howard is lovely as ever, though I half wished she’d been wearing high heels again to piss off the haters who critiqued her footwear in the last film. Chris Pratt is serviceable as Owen Grady but I don’t really love him (still haven’t forgiven Star-Lord for his brattish behaviour in Infinity War, sorry). Rafe Spall meanwhile, is dashing as Eli Mills, the mastermind behind all the madness. 

I have to mention that a definite highlight for me was Ken Wheatley (Ted Levine), the mercenary heading the dinosaur ‘rescue’ team. His stereotypical Trump-supporter solider was deliciously bad and when wronged by a female character he screams “What a nasty woman!” and I lol’d. Nailed it. 

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This movie got me right in the feels a couple of times with its message about whether these beautiful dinosaurs deserve the same rights as animals, or whether they should be left to become extinct once again. While nature takes care of some of the business, the conclusion leaves us in no doubt of where a sequel will take us – and if I’m right, it will be the best kind of sequel, with a fresh environment for our lizardy pals to run riot.

There’s also a massive clunker to address further down the line, the topic of genetic cloning so that should also be fun. I’m ready for them to bring it.

My Rating

4/5.

 

 

 

Solo: A Star Wars Story

Solo: A Star Wars Story (2018)

Directed by: 
Starring: Alden EhrenreichWoody HarrelsonEmilia ClarkeDonald GloverPhoebe Waller-Bridge

IMDB Synopsis

During an adventure into the criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

Where: Odeon, Brighton
When: Friday 25th May
Who with: Glynn Bass
Snacks: Deluxe popcorn and drink combo

*Beware spoilers*

I’m starting to think I’m incapable of thinking badly of any of the Star Wars movies (not you original prequels). Every time I get a new SW film, be it spin off or part of the original story line, I can’t help be satisfied.

I really enjoyed Solo but must cop to going in with a little less excitement than normal. I mean, I was into it but not in the same way as I was with Rogue One. The main draw was Donald Glover as Lando but girl, it was all a trip and I loved every minute. Genuinely.

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Solo begins on the streets of Corellia where we meet orphaned Han (Ehrenreich) and his girlfriend Qi’ra (Clarke), two hood rats forced to work the streets for crime matriarch Lady Proxima. Both share the same dream which is to steal a ship and blow this grimy popsicle stand once and for all. Sadly, only one of them escapes and thus begins the further adventures of Han Solo as he does everything in his power to become the best ever pilot and get back to his girl.

Does he? Well, you’ve probably seen the trailer so it might not be a surprise to find out that they do indeed meet three years later, just as Han makes the acquaintance of Beckett (Harrelson) and his feisty droid L3-37 (voiced by the amazing Waller-Bridge). Solo has also just met his life partner Chewbacca (Joonas Suotamo) and that’s the real love story here. 

Qi’ra has become something of a highly refined Lieutenant, working for Crimson Dawn crime boss Dryden Vos (delicious Paul Bettany) and when Beckett comes clean to Vos about a mission gone wrong, Han proposes another plan to make everything alright again. 

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Will it work? Will Qi’ra and Han (and Chewie) live happily ever after together? And who the hell is Enfys Nest and his/her Mad Max-esque crew of super scavengers?

Only one way to get in the picture!

All in all though I think this is a strong addition to the SW canon, I found it less scattered and messy than The Last Jedi (which I also loved) – and I don’t think you can fault Ehrenreich for his performance at any point, he brings his own charisma to the proceedings but also nails a young Harrison Ford perfectly.

Highlights are (but of course), Lando and L3 who bring a light-hearted sass to the table. L3 is a feminist icon if we’re honest and a welcome one,  joining the ranks with a whole bevy of SW female badasses. Where’s her fucking spin-off?

My Rating

4.5/5.

Isle of Dogs

Isle of Dogs (2018)

Directed by: Wes Anderson
Starring: Bryan CranstonEdward NortonBill MurrayJeff GoldblumKunichi NomuraAkira TakayamaGreta GerwigFrances McDormand, Akira ItoScarlett JohanssonKoyu Rankin

IMDB Synopsis

Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.

*Minor spoilers*

Part of me was wary of wading into Wes’ Isle of Dogs and I’m not sure why. I knew it would be visually stunning but I think part of me was worried it would be all style and no substance. I was wrong thankfully and I’m so delighted about that.

I’ve come to understand that the world is split into two camps: Wes lovers and Wes haters with very few in between. I would consider myself the former although I didn’t rate Moonrise Kingdom that highly. I loved  The Grand Budapest Hotel though with its intricate detail and eye-popping visual aesthetic. Now I can say Isle of Dogs is definitely up there as one of my favourites.

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In a dystopian near-future Japan, dogs find themselves banished from the city when a  virus spreads through the canine population. New mayor Kobayashi (Nomura) signs a decree that outlaws all puppies to Trash Island – and he sacrifices Spots (Liev Schreiber), the dog of his ward and orphaned nephew Atari Kobayashi (Rankin) first to set an example.

Scientist Professor Watanabe (Ito) insists he is just a mutt’s hair away from discovering a cure but the mayor is adamant that the poor doggos will remain on the island regardless. There’s some folklore at the beginning of the film that explains the drama between dog and cat lovers which I’ll leave to you to discover for yourselves.

Turns out though that Atari isn’t cool with this arrangement so he steals a light aeroplane and crashes onto the island, determined to find faithful old Spots. On the way he meets a group of pups who facilitate an epic adventure across the island – and joins the great dog rebellion. Will he find Spots, deliver the dog flu cure and save the lives of all the forgotten dogs before it is too late – or…?

You know what to do.

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Isle of Dogs is so visually stimulating and is as subtly funny as Anderson films always are. The voice work is spot on and I’m happy to say that the film is not so whimsical as to set your teeth on edge. As with most of his films, the sugar-coated sheen often gives ways to darker themes and this is no different.

Highlights for me are Frances McDormand’s Interpreter, Gerwig’s American exchange student and Pro-Dog activist – and hands down Brian Cranston’s stray mutt Chief, who’ll break your heart and then stitch it back together again.

Get on it, even if you are a cat person – there’s something for everybody and honestly, this is cinematic magic.

My Rating

4.5/5.

Ready Player One

Ready Player One (2018)

Directed by: Steven Spielberg
Starring: Tye SheridanOlivia CookeBen MendelsohnLena WaitheT.J. MillerMark RylanceSimon Pegg

IMDB Synopsis

When the creator of a virtual reality world called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune.

*Minor spoilers*

Oh my Lord. It’s always disconcerting when you go into a movie whispering the mantra, “Please be good. Please be good.” To say I went into the theater with high expectations would be an understatement, especially since I loved the book and have pressed it into the sweaty hand of many a friend.

Luckily for me, the adaptation was handed to the perfect director for the project and, with Ernest Cline on-board for screenwriting duties, I was left more than impressed. At one point I nearly lost my shit, it was so perfect and so relevant to my personal interests.

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Spielberg has the nostalgia thing down pat at the best of times but with the OASIS at his fingertips, he has the freedom to let loose on the popular culture references. There’s no limit to what he can do and it’s so multi-layered, so awe-inspiring I defy anyone not to come away with a new respect for what special effects can do.

I’m wary of giving too much of the game away in this review but what I can say is that, through Wade Watts and his avatar Parzival (Sheridan), we learn all about the OASIS and what it really means to the inhabitants of a now desolate world in 2045. While things IRL aren’t all they’re cracked up to be, OASIS’ creator James Halliday has just passed away, leaving a legacy that has the potential to change Wade and his friends’ lives forever.

Wade’s crew is small but perfectly formed and grows stronger still when they team up with Parzival’s crush, the elusive Art3mis (Cooke). But with super villain Sorrento (Mendelsohn) hot on their tail and determined to solve Halliday’s riddles and win control of OASIS for himself, they’re really up against it.

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Man, I have a couple of favourite scenes that I just want to gush about but I can’t, let’s just say as a classic horror fan, I was moved almost to tears by one extended segment and if you’ve seen RPO you’ll know which one I mean.

While the romantic aspect of the story I could take or leave, everything else about it was appealing and exactly what I wanted from this adaptation. Fans of the book might notice a few differences but there’s nothing too jarring and the visual references pad it out perfectly.

I hope you enjoy it too.

My Rating

5/5.