Our so-called fuck up this week is incredibly easy to relate to so I probably like this film more than I would normally because of that. Also, Rose Byrne is such a gifted comic actor, I want to be her.
Juliet, Naked is the story of Annie (the long-suffering girlfriend of Duncan) and her unlikely transatlantic romance with once revered, now faded, singer-songwriter, Tucker Crowe, who also happens to be the subject of Duncan’s musical obsession.
What if you met the man of your man’s dreams?
Annie (Byrne) still lives in her hometown and is the curator at the local museum. She lives with her long-term boyfriend Duncan (O’Dowd), even though the relationship is pretty threadbare. It isn’t helped by Duncan’s all-consuming obsession with the music of singer-songwriter Tucker Crowe (Hawke). Crowe’s last work was released 25 years ago but this doesn’t stop him running a dedicated fan site.
When a surprise package arrives at the couple’s home, Annie opens it first and discovers a collection of acoustic covers of Crowe’s seminal masterpiece, “Juliet”. The new work is called “Juliet, Naked”. Duncan is none-to-pleased to arrive home and find his girlfriend has already listened to it. He’s even less thrilled when she tears it apart. This leads to a huge argument and Annie leaves a negative review of the demo on his website.
When Annie later receives a response to her critique from someone purporting to be Tucker Crowe, things start to get interesting. He thanks her for her honesty and it soon becomes clear that it really is the man himself. The pair quickly begin a regular correspondence, updating each other on the intimate details of their lives. Annie ends up being very candid about her sadness at not being a mother, while Crowe shares his regrets about being a bad father to five kids, by four different mothers.
Meanwhile, Duncan bangs a teacher at his school and his relationship with Annie conveniently comes to an end. Round about the same time, Crowe – who lives in America to be near his youngest son, Jackson – has to travel to London for his daughter Lizzie (Ayoola Smart) who’s about to give birth to her first child. Of course he arranges to meet Annie in London but stands her up.
She forgives him when she learns he’s had a heart attack and the pair finally manage to meet, though the small hospital room in which she finds him is soon full of ex-wives and children. She stays for a beat then excuses herself, never to be seen again. Kidding. Crowe invites himself and Jackson to Annie’s to recuperate and get to know her better.
Which is lovely and all but how will she explain the shrine to Tucker Crowe that still lives in the house? Indeed, how will Duncan take his first – and subsequent – meetings with his idol?
It’s all very idyllic but what will become of the new couple when reality comes a-knocking and Crowe has to return to the US?
Well, this is a slow burning quite lovely little lament on regret and new beginnings. It may please you to note that Annie does what she wants to do finally – and follows her own dreams, regardless of other people’s demands on her. I think in the hands of someone else I would have been bored but the small-town seaside setting feels authentic and both Byrne and Hawke put in good, low-key performances. I cannot abide Chris O’Dowd if we’re being honest but he brings the infuriating character if Duncan to life by default.
While I enjoyed this, I don’t have that much to say about it. Not that much happens. I do however understand the pressure of waking up in your forties and being nowhere near the person you thought you would be. There’s a sadness and some hope in there somewhere, depending on how you look at it.