Super-assassin John Wick is on the run after killing a member of the international assassin’s guild, and with a $14 million price tag on his head – he is the target of hit men and women everywhere.
Johnny is back and he’s on a strict deadline, to get underground before he’s officially considered ‘excommunicado’ and therefore fair game to any assassin lucky enough to get to him first. With a $14 mill bounty on his pretty head, he’s a hot commodity – with one catch – he’s motherfucking John Wick. You didn’t think it would be that easy, did you?
Set less than 30 minutes after the end of John Wick 2, our hero needs to get to The Director in order to secure safe passage out of NYC, to Casablanca, Morocco. The Director (Anjelica Huston) is a mysterious woman from John’s past who really shouldn’t be helping him according to the High Table but whatcha gonna do? She allows him to cash in one last favour and it’s the one he wanted.
Meanwhile, The Adjudicator (Asia Kate Dillon) – a High Table employee – is kicking arse and taking names around the Big Apple, admonishing those who have helped JW.
Both Winston (McShane) and Bowery King (Laurence Fishburne) are in the dog house for (respectively) giving John a head start to escape and helping him kill Santino D’Antonio (the crime lord he murdered on Continental ground, against strict High Table rule). They’re given seven days to give up their positions or face serious consequences.
John finds his way to Morocco and calls in on old friend Sofia (Berry), who reluctantly helps him get to The Elder (Saïd Taghmaoui) for help. When The Elder makes it clear the price JW will have to pay for forgiveness it’s almost too much – isn’t it?
What will our boy do?
Ung. This film is pant-wettingly exciting and closes off the first trilogy beautifully, while leaving it wide open for the next instalment. I couldn’t be more chuffed with the stunningly choreographed action sequences and the exploration of JW’s mythology. And despite the intricate world-building, there’s still so much we don’t know – like who doesn’t need way more from The Director and her tattooed ballerinas? Etc.?
There’s double-crossing and new allegiances, uber-violence and dogs. So many wonderful dogs. Not only Good Boy Dog but also Sofia’s incredible fighting dogs, who Halle Berry trained herself in addition to being a butt-kicking queen.
My only criticism, and it’s tiny, is that some of the fights going on just a fraction too long. But the set pieces, the performances and Keanu Reeves make up for everything. I think this might be my favourite in the series to date.
Bring on part 4.