Fall. Get back up.
Follows Stevie, a thirteen-year-old in 1990s-era Los Angeles who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Starring: Sunny Suljic • Katherine Waterston • Lucas Hedges
You literally take the hardest hits out of anybody I’d ever seen in my life. You know you don’t have to do that, right? ~ Ray
Oh slow burning indie movies, how I love thee. Jonah Hill‘s directorial debut is beautiful and sweet there’s no denying it. However, I don’t know how long I will think about it now I’ve seen it.
Stevie (Sunny Suljic) comes from a single-parent home with a bully for a big brother. His mother Dabney (Katherine Waterston) is still young and gorgeous (having had her first child at 18) – and is dipping into the dating pool again. I would tell you more about her but apart from a couple of minor scenes, we know very little of her.
It is suggested that she’s had ‘a past’ that has included a revolving door of suitors – and this might be why older son Ian (Lucas Hedges) is so tormented (read: such a dick).
Stevie is yearning for something clearly, for when he stumbles across a group of skateboarders outside a local skate shop, he wants in – and makes it his mission to join them. Which is no mean feat when you’re just a kid.
Eventually he makes it into the crew and the new friends become the centre of his new world. The gang are: Ray, Fuckshit, Fourth Grade and Ruben – and they are all dealing with their own issues. Stevie rubs Reuben up the wrong way by quickly becoming the new golden boy – and this leads to an inevitable showdown between them.
The gang in general might not be as solid as they once were. Leader of the group Ray (played by the really fucking good Na-kel Smith) is drifting away from his BFF Fuckshit (Olan Prenatt), determined to leave the hood for something better. Can their friendship survive when Fuckshit is determined to just keep partying? Meanwhile, Dabney isn’t very pleased about her son’s behaviour now he’s part of something she can’t control – can she put a stop to it before it goes too far?
All in all, this is a lovely debut. There is a sex scene involving Stevie and an older girl which made me feel really icky though – so I am very glad it stopped where it did. Honestly, I get that this happens but he’s a literal child and I do not want to see him sexualised!
The female characters aren’t given much to do either. In fact the only women we actually see are Dabney and the skate groupies on the sidelines. That’s not great, Mr Hill. Come to my room and let’s discuss this further.
⭐⭐⭐½ out of ⭐⭐⭐⭐⭐