True Story

Yes or No_ (30)

More based on a true story action in the form of this murder mystery starring a man I want to cuddle and a man I want to slap the shit out of.

Let’s see if you can tell which is which from my words.

“I just called…”

True Story (2015)

When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo – who has taken on Finkel’s identity – his investigation morphs into a game of cat-and-mouse.

Starring: James Franco • Jonah Hill • Felicity Jones

Michael Finkel (my boo Jonah Hill) is a promising NY Times journalist with ten cover stories to his name. He’s riding high and expecting a Politzer nom when he’s called into his boss’ office to discuss his last story – an expose on modern slavery.

Unfortunately, rather than picking up a prize, he’s soon clearing his desk when it becomes obvious he may have embellished quite a lot of the story. Claiming he must have got mixed up, his bosses believe he’s used a composite character as the focus of the article. Breaking the rules of Journalism 101, you naughty boy.

Returned from NYC back to his wife (Felicity Jones) and home in Montana, Finkel is finding it predictably difficult to find work, given the accusations leveled at him. But things pick up when he receives a call from the editor of The Oregonian, asking for a quote on the Christian Longo story. Longo (eternal douche pony James Franco) stands accused of murdering his wife and three children – and is in clink awaiting trial.

Franco was not a fan of Christa Bass’ NY Times article, “Ten Things I Hate About James Franco”.

Well, Finkel apparently doesn’t keep up with news these days as he has no idea about the case. When he asks the caller why he should have a view on the story, he is told that when arrested, Longo was pretending to be Michael Finkel. Of the New York Times.

Oooooh!

What follows is a bizarre friendship blossoming between the two men, who figure they have more in common that they could ever have imagined. And Finkel’s career looks set to take an upturn when he decides to make Longo’s story into a book – one that the pair will write together.

The main question throughout True Story is – did Longo do it though?

Well, I won’t reveal the ending but I will say that the relationship between the men is complex and it puts a strain on Finkel’s marriage to Jill. Jill obviously can’t get her head around the need to understand the inner workings of a(n alleged) killer’s mind.

“No way is Franco coming over for tea…”

Finkel wants to believe in his new friend but Longo isn’t always frank and there are some curve balls thrown on the way to uncovering the ultimate truth…

Well. This is kind of dull really, though the story itself if quite explosive. What a shame. Jonah can’t be blamed for this one as he puts in a solid turn as disgraced journo Finkel who looks super cute in his glasses.

I am biased towards Franco, I can’t deny it but he really phones in this performance. I get as a character he’s quite closed off to the truth but he just looks smug the whole way through. I guess in some ways this does work for the character, who shows little remorse or feeling throughout, but a little bit of nuance would have been nice.

The women in this film are just side pieces – supporters and victims – and that’s quite annoying. The result, without proper padding of the relationships of the men, is rather flat.

There are flashbacks to happier times for Longo and his wife MJ (Maria Dizzia), with devoted father montages threaded throughout but these are just aftershocks and don’t fully paint a picture or a motive. Therefore you never really give a damn about either of the men but Longo even less.

It’s not bad, it just doesn’t have the oomph I would have liked.

⭐⭐⭐ out of ⭐⭐⭐⭐⭐

What does my girl Jill think of True Story? Would she lie to it or write a book about its innocence? Find out here.

Us

Us (2019)

A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.

Starring: Lupita Nyong’o • Winston Duke • Elisabeth Moss 

*Spoiler free, I promise*

I’ve seen Us twice in the cinema so far and it is hands down the most interesting film I’ve seen all year.  I understand that it might not be everybody’s cup of tea but it really is mine.

Reviewing it is not going to be easy because I could never do it justice but I’m going to try.

In 1986, young Adelaide Thomas is momentarily separated from her parents at a Santa Cruz fairground. Drawn to a hall of mirrors, Adelaide encounters a doppelgänger of herself and is scarred by the experience. Her parents try everything to get her to speak (she has been rendered mute), including dance and art therapy.

In present-day, Adelaide (Lupita Nyong’o) and her husband Gabe (Winston Duke) have two children, Zora (Shahadi Wright Joseph) and Jason (Evan Alex). We meet them as they head back to her families beach house in Santa Cruz on vacay.

While Ade is apprehensive given her connection to the beach, she allows Gabe to take the family anyway, where they meet up with their friends, Kitty (Elisabeth Moss) and Josh Tyler (Tim Heidecker) – and their teenage twin daughters. Gabe is eager to impress the couple, who are rich AF but clearly despise one another.

All is well until Jason disappears for a moment – and Ade panics. While temporarily missing, Jason sees a man in a red jumpsuit with blood dripping off his hands. He chooses not to tell the others, given Ade’s current mood.

ABBA had started to do PAs in people’s homes

Later, back at the holiday home, the family are stalked by a family in their drive way. It is here that things become frigging sinister and I don’t want to give the game away. I can say that the ‘visitors’ are the Untethered (as well as doppelgängers of the entire family) and they do not come in peace.

What follows is a story of fairy tale proportions, of parallel worlds and of mystery. Adelaide and family must fight to protect each other at all costs – and in the process Ade must face up to the trauma of her childhood, which is finally starting to make sense.

Cutting crew

This film is stunning with incredible double performances by a solid cast. Lupita in particular is mesmerising as Adelaide and her doppelgänger Red. Support in the form of Moss is also satisfying – while Duke brings a welcome comic relief. The kids are outstanding – the bickering siblings really come into their own when they’re required to fight their own doubles – and I love their scenes.

The imagery, the music, the story – in the hands of the mighty Jordan Peele it just works brilliantly. On second viewing I noticed far more foreshadowing and clues to what is going on, and I genuinely love this movie. It’s frightening and beautiful in equal measure with an insane final sequence between Adelaide and Red. The dance/fight choreography is pure perfection.

Art Attack’s new presenter was proving really popular

I cannot wait to see what Peele does next. And with new Twilight Zone episodes and a writing credit for the 2020 Candyman remake, I don’t think we’ll have to wait too long.

⭐⭐⭐⭐  out of ⭐⭐⭐⭐⭐

What are you watching?