I suspect one of the reasons I’m not that great at reviewing films is that I sometimes can’t see the wood for the trees. Rather than veering toward the difficult to please stance of most purists, I usually lap up most of what I’m given because I have such a bias towards the characters I love. It’s hard for me to be critical sometimes.
I loved Unbreakable (2000) so much. It’s part of my regular catalog of movies that never fail to make me feel something. Often I hear the criticism that it doesn’t have enough oomph but that to me is what makes it perfect. It takes the concept of heroes and villains, and humanises it. It’s my favourite of M. Night‘s canon without question.
Split (2016) was enjoyable, particularly when you consider James McAvoy‘s mind boggling performance(s) but where UB was low-key and moody, Split was turned all the way up to bonkers and seldom lets up. Glass is more of the same and honestly, it’s messy but I liked it.
I may be in the minority. I thought what they did was interesting, threw us more than one curve ball and satisfied me. I didn’t buy all of it and found myself a little irritated by some of the bits that seemed clumsily tacked on but you can’t win ’em all. I’m trying hard not to drop major spoiler here – one of the girls at work dropped a massive clanger in front of my colleague after she’d seen it and I’m still giggling/traumatised by the experience.
Let’s talk about what I did like. I loved coming back to David Dunn (Bruce Willis) and his now grown up son, Joseph (Spencer Treat Clark). Now co-running their own security company with David moonlighting as The Overseer (to name but a few of his publicly considered nicknames), the two stalk the police radio airwaves for potential trouble.
All this has lead to multiple newspaper articles about the mysterious rain slicker-wearing hero and the feds getting antsy about vigilante justice. Joseph warns his father to keep a low profile for a while but where’s the fun in that?
When he sniffs out a new ‘case’ – a quartet of missing cheerleaders at the hands of a very familiar character – he bites off way more than he can chew.
The trailer is very clear about what happens next so no surprises. Dennis (and friends) join David Dunn and one other blast from the past, the titular “First name: Mister. Last name: Glass” (Samuel L. Jackson) in some sort of institution, where Sarah Paulson‘s Dr. Ellie Staple is on hand to talk each of them out of their superhero delusions.
But nothing’s ever that simple and the result is… well, the more I think about it the more I like it. There’s action, there’s Mr Glass and there are conclusions drawn and connections made.
Anya Taylor-Joy returns as Casey Cook, the sympathetic protagonist from Split and she’s lovely. A somehow calming influence over The Beast and his twenty-plus disciples, she fights his corner and humanises him too. I must say James McEvoy seems to have refined his performance since Split and is the strongest character here. I expected to be blown away at the return of Glass and Dunn, but it’s Dennis & Co who kept me in.
From the sidelines there is strong support too from Joseph and from Mrs. Price (Mister Glass’ ma played by Charlayne Woodard), the trio of secondary characters who actually care about the outcome of our central trio. Which is more than can be said about the crew apparently taking care of them from here. Paulson doesn’t shine quite as much as she usually does and I’m guessing this is because her particular strand is my least favourite (and the flimsiest). I wonder what it might have been like had they been left to their own devices.
I’ve already said too much but I did enjoy the look, the performances and the way it all clicks into place. The institution setting is one of my favourites and the use of colour is eye-catching and effective.
Will there ever be more? Well, it is suggested that this could all go off on a tangent in years to come – I’m not sure I want to be part of it though. (Who the hell am I trying to kid?!).
⭐⭐⭐⭐ out of ⭐⭐⭐⭐⭐