I say this quite a lot but I went into this with absolutely no expectation, except that Tom Hardy would be fit. I left pleasantly satisfied and that’s because he is perfectly cast as the slightly loser-ish Eddie Brock. There’s a lot of fun to be had here, basically.
Is it anywhere are groomed as Infinity War or Black Panther? Of course not – but there’s a place for it and I enjoyed myself immensely.
Mr Hardy is a dream, an actor that sometimes makes you ponder whether he’s that technically talented – but it hardly matters, he has something a lot of other leading men don’t have and that’s the special something. And obviously I would climb him like a tree.
Riz Ahmed is also very good as evil Carlton Drake, a slick criminal mastermind who slowly but surely transforms into Venom’s ultra strong arch enemy, Riot. In the beginning, I had some reservations about Michelle Williams as Eddie Brock’s love interest Anne, who starts off pretty simpering. Luckily for everyone concerned, she claws it back and is actually great in the end, a heroine not afraid to get her hands dirty in a bid to make sure Eddie’s okay, even though he gets her sacked.
Support from Slate (whose character, Doctor Dora Skirth deserved better) and Reid Scott as Anne’s new boyfriend Dan is also good – but the supporting star has to be the lovely Mrs Chen (Peggy Lu).
The CGI can be a bit much to keep up with at times because there is so much going on and I don’t really know about all the symbiote science but ultimately I’m not mad at Venom at all.
UGH. This movie, I loved it so much. Don’t even get me started on the climactic scene – it nearly destroyed me.
Charting the rise of singer Ally’s (Gaga) success following a chance meeting with seasoned rock/country legend Jack (Cooper), the fourth version of A Star is Born is gorgeous with a heavenly soundtrack.
If you’re wondering how Gaga could possibly keep her end up in place of the Garlands and Streisands of this world, just fucking watch her. She’s mesmerising at the best of times but in this role she is next level. If Oscar doesn’t come knocking in the Spring, then there is no God. Or there is but he’s a man with no taste.
I think if you aren’t familiar with the story, you might still have an inkling of how this might play out but the ending is very sad and the heartbreak is palpable. It’s one of those story lines you wish you could change for the better, even as you watch it veer dramatically off course.
I don’t want to give anything else away but I will say this is one of my favourite movies of this year so far and I can’t stop thinking about some of the songs. They’re outrageously good.
Oh, and the surprise appearance of Shangela and Willam was fun. God, I want to watch it over and over again.
I’ve a little bit of weakness for YA horror/fantasy, I can’t help myself. I think it might be because these are the kind of films that made me fall in long-term love with horror. I also have a little thing for JB and therefore this was a no-brainer. I enjoyed this ride, despite being the oldest member of the audience not accompanied by a child.
As Lewis gets to grips with his new life, living with his eccentric uncle Jonathan Barnavelt (Black) and occasionally, just as kooky next-door neighbour Florence Zimmerman (Blanchett), he learns that there is more to life than meets the eye – magic things – and there’s nothing more magical (and also sinister) as a house with a hidden clock buried in its walls.
While the family search for this torturous contraption, concealed somewhere deep in the core of the building, Jonathan’s arch nemesis Isaac Izard (Maclachlan) plans his comeback, with a little help from his beloved wife, Selena (Renée Elise Goldsberry). And Lewis must also navigate possibly the hardest landscape of all – middle school.
Honestly, this is a beautiful looking film with wholehearted performances from everyone. Cate is utterly breath-taking as the damaged (but determined) Florence. I feel like she should never veer from her purple colour palette ever again, it’s such a good look for her.
The effects are good and it’s above all fun to experience. There’s a really wonderful scene set in the ornate back garden that is stunning – and a head to head between our heroic trio and a bunch of haunted pumpkins. What’s not to love?
This movie showcases a powerhouse performance by Glenn Close, obviously. The woman is electrifying and handsome as fuck – and rightly so, pretty much the only thing you will care about.
As the downtrodden wife of a Pulitzer prize-winning author, she gives the most emotive performance and it’s probably the only element of the film that will stick in the mind. The narrative itself flip-flops between present day as the Castlemans journey to Switzerland with their son David (Max Irons) to pick up Joe’s award – and the past, as they meet in college, fall in love and begin to build their life together. The thing is, along the way they create something much more than just their family and it looks set to catch up with Joe.
But will Joan blow the whistle? Will she ever be ready to share her truth, the one that gives a fuller picture of who she is – not just the wife, not just a victim?
The Wife is a good movie but it’s not exactly a fun ride and at its climax you might just be a little disappointed. I would have liked more raging against the machine, more punches thrown (metaphorically or otherwise) and as the credits roll, I got what it was saying but I wanted more. Forgive me for waiting for Close to throw just a little bit of Alex Forrest into the mix. Now that would be a film worth watching.
With a cast like this, you can always rest assured that you’ll get a good quality movie. Caine and pals very seldom let us down and the old boys’ network is alive and well, thankfully.
This movie is fun, sad in places, dramatic in others – and it’s also kind of heart-warming to remember it’s based on a true crime. Seems Octogenarians shouldn’t be underestimated after all.
The quality of this set up could just as easily go against it though because it’s not quite as memorable as it should be. I haven’t thought about it since the credits rolled and I can’t put my finger on why I didn’t gel with it the way my husband did.
It’s very male-orientated and maybe that’s why I find it slightly mediocre – or perhaps it just isn’t my cup of tea. You can’t win ’em all.
I am very, very behind in the film reviewing stakes and for that I am sorry.
I currently have ten on my To Do list and in order to catch up, I’m going to have to keep it short and sweet on the movies I liked least. Why bother with too many words when they don’t fit the experience, right?
Forgive me for being behind the curve, I’ll get back to normal soon.
Oh yeah, what have you been watching?