The Meg (2018)
After escaping an attack by what he claims was a 70-foot shark, Jonas Taylor must confront his fears to save those trapped in a sunken submersible.
Flippin’ heck. I feel like I’ve waited a lifetime for this movie, the premise and execution of which could have been lifted directly from my own fantasies.
Jason Statham, in a wet suit at his frowny best? Hell yes. Ginormous prehistoric shark with an insatiable thirst for anything unlucky enough to get in its way? You got me. There’s nothing else I need really but I do get more bang that I could ever have wished for. Welcome to my review.
Jonas Taylor is something of a maverick, because of course he is. He is also haunted by past decisions that may have cost a lot of people their lives. Though he stands by what happened that fateful day he lead a semi-successful rescue mission to safety – the sub they were in was attacked by something HUUUUGE and mysterious – he still feels hella guilty about the ones he couldn’t save. So guilty he’s now a drunk chilling in Thailand. Nobody believes his ramblings about a giant sea creature because why would anyone? I would but that’s me. I want to believe.
Meanwhile and fast forward five years, billionaire Jack Morris (Rainn Wilson) is collaborating with Doctor Minway Zhang (Winston Chao) on a project on underwater facility Mana One. Along with his daughter Suyin (Bingbing Li) and a rag-tag bunch of fellow scientists and oceanographers, Zhang is exploring the contents of the Marianas Trench, financially backed by Morris.
You know, just poking around to see what’s what… like you do.
I’m not going to wow you with science here and I’m not going to say anymore apart from when shit goes down – and boy does it – Jonas is called to save the day. When his theory is proven right and he is exonerated as a delusional whack job – it is left up to him to keep the team safe and protect the world from Meg, a sassy and beautiful prehistoric Megalodon.
Is it any good though? Well, I am highly biased but I say HELL YES it is great. It’s exactly what I wanted, needed and expected – the dialogue is shaky and cheesy as hell – but it’s a fun ride. You can’t go into something like this expecting an Oscar worthy movie – that’s not what anyone is here for. It’s fun, it’s stressful, it’s awe-inspiring on the big screen and it’s funny where it needs to be.
As for the performances, I’ll stand by Statham ’til the end. The guy knows his limits and he plays very well to them. His comic timing is good and he look fitter with every passing year. He might not be Sir Laurence Olivier but he’ll always get me off my arse and down to the local multiplex because he gives it everything he’s got. As Jonas he gets to display his trademark furrowed brow a lot and I love him for it.
I was also impressed by Ruby Rose for a change, who still plays the same character she has in everything I’ve ever seen her in but she’s getting better as an actress. Plus, I feel there is an unspoken chemistry between her and Jonas’ ex-wife (and crew member) Lori (Jessica McNamee) – and I want more of that.
Finally, I’m just fucking glad we’re seeing more Asian characters and actors on the big screen – it feels like 2018 has been the year for giving us more of this and it’s so important. Perhaps we can stop white washing things and start hiring appropriate actors to play characters as they were intended?