The Greatest Showman (2017)
Celebrates the birth of show business, and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.
I have to admit that I avoided this film until the very last minute because I just wasn’t feeling it. Maybe it was something in Michelle William’s cheesy grin in the trailer or the fact I wasn’t in a ‘musical mood’ – but I had no intention of seeing it.
Then I changed my mind and booked a ticket to see it straight after work. It had been a head-fucky kind of week full of training and my friend Amy came with me. I cried all the way through it to the very end.
It’s just so – feel good. The songs are amazing, the choreography is stunning – Zac Efron is a total fox and there’s the most gorgeous bearded lady. Its message – that everybody should be proud of who they are, well it’s right up my street. I’ve now seen it twice at the cinema, and one of those was a sing-along version.
Colour me obsessed.
TGS tells the rags to riches story of P.T Barnum (Jackman), the visionary and Original Circus G. Supported by his insanely chill wife, Charity (Williams) he first purchases an old curiosity museum that doesn’t set the world on fire – then turns it into something altogether more interesting.
While I wouldn’t call what he has a full on freak show, the F word is one that is thrown around a lot by the ever-increasing anti-circus picket line. Really what Barnum has is a collection of talented and unique individuals who have been rejected by society. Unfortunately, Barnum’s head is turned when he meets the regal opera singer Jenny Lind (Ferguson) and, finally accepted by high society, he begins to believe his own hype as a showbiz big wig.
Running parallel to the rise and fall of Barnum’s big tent empire, is the challenging love story between well-to-do playwright Phillip Carlyle (Efron) and trapeze artist Anne Wheeler (Zendaya). Anne is poor and black – and Posh Victorian NYC isn’t down with mixed-race relationships thankyouverymuch. Phillip therefore must make a serious decision about his future if he’s to be with the one he loves – and that’s after he’s made a life-changing decision about his career, too. There are a couple of scenes between the Zendaya and Efron that blew me away, particularly during their song Rewrite the Stars.
In addition, I love every scene containing the so-called freaks, particularly Lettie Lutz (Keala Settle). She’s electrifying. The talent recruitment montage is great and I love the Hugh Jackman/Zac Efron bar scene more than life.
Every single song on the soundtrack is gorgeous, particularly Jenny Lind’s Never Enough (actually sung by Rebecca Allred). Mostly, I just like that a musical with such a positive message can still draw a crowd, it feels old-school and fun.
The Academy may have turned a blind eye except for Best Achievement in Music for the anthem This is Me but that’s okay. As much as I love the Oscars, sometimes it’s word on the street that’s the best reward you can get.